“In 1968, Allen [Daviau] and I started our careers side by side with the short film AMBLIN’. Allen was a wonderful artist, but his warmth and humanity were as powerful as his lens. He was a singular talent and a beautiful human being.”
—Steven Spielberg
Cinematographer Allen Daviau died last week from complications due to COVID-19. He was nominated for five Academy Awards in Best Cinematography for his work on Bugsy, Avalon, Empire of the Sun, The Color Purple and E.T. the Extra-Terrestial. (All incredibly done in a ten year run.)
He was part of the visual team that created one of the most iconic shots in movie history—Henry Thomas and E.T. magically riding in the air on a bicycle, silhouetted by the moon.
It’s hard to watch that scene on YouTube in 2020 knowing what a powerful moment that was when the movie hit theaters in 1982. I was in film school at the time and did not have cable TV or a VHS machine. (The majority did not back then.) So I went to a packed theater and had a shared mystical movie experience.
The sole Oscar-nomination for E.T. was for Melissa Mathison’s script. A script and that gave the film its mystical, spiritual aspect. This is how she described the interior of the space ship, ” We are in a greenhouse—a Gothic cathedral of a structure.” Much as been written about the death and resurrection of E.T. as well as his healing powers.
From the script I have, the “moon shot” isn’t even on the page. It just says:
EXT. SKY —NIGHT
The bicycle glides five feet over the tall grass and circles the landing site.
ELLIOTT
Not so high! Not so high!
E.T. feels Elliott’s joy, and in the excitement of his own triumph, E.T. allows the ride to continue. The bicycle rises to the treetops. Elliot rides the bicycle, pedaling as hard as he can, steering through the treetops. He screams, laughing.
Nothing about an iconic silhouetted “moon shot.”
Here’s what the “moon shot” looks like brought to life.
I’m not sure what role Daviau had in that shot. Oscar winner and effects cameraman Mike McAlister scouted for a week to find the right location and spent two night shooting it in Nicasio, California. All for a shot not originally in the script, but one that Spielberg obviously thought was necessary.
And Daviau was the director of photography on the film so one way or another that shot was his responsibility. I was fortunate to hear Daviau speak when I was in film school, and while I don’t remember anything about that talk, he left images that I’ll never forget.
Empire of the Sun (1987)
The Color Purple
Bugsy
P.S. A little more tucked inside Daviau credits is the lesser remembered by the masses Fearless (1993). Written by Radael Yglesias and directed by Peter Weir, it is well worth your time to revisit the story of a man (Jeff Bridges) surviving a plane crash. (And another film that has a trail of writings about the spiritual aspects of that movie, including this one from the almways informative site Cinephilia & Beyond; Peter Weir’s ‘Fearless’ as a Soulful Slice of Life That Gently Examines the Human Condition.)
Related ASC article: The Cinematography of E.T.
