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Keeping the ‘Field of Dreams’ Alive in Iowa … and Orlando (and Maybe Even for Major League Baseball) »

The Moment in the Script that Made an A-List Actor Say Yes to Making a Now Classic Movie

February 19, 2020 by Scott W. Smith

“Dad was a Yankee fan then, so I rooted for Brooklyn. In ’58, the Dodgers moved away, so we had to find other reasons to fight.”
Ray Kinsella (Kevin Costner)
Field of Dreams 

If you’ve never watched Field of Dreams (1989) then this post is not a good starting point, because it’s about the end of the modern classic movie. In the late 1980s, Kevin Costner was already a major star—coming off an incredible five year run of movies including The Untouchables, No Way Out, and Bull Durham—when he first read the Field of Dreams screenplay.

As much as he wanted to do Field of Dreams, he was under contract to do Revenge. Plus he didn’t think it wise to follow-up a baseball movie with a baseball movie. But when production start date for Revenge wash pushed back a couple of times he told that films producer, Ray Stark, that he was going to make Field of Dreams. Stark threatened to sue him and Costner called his bluff.

Costner’s star power allowed him to not only avoid getting sued, but he made Field of Dreams, and a few days after that movie wrapped he was on the set of Revenge. But what was it in the Field of Dreams script that made Costner be willing to get sued, and to make back to back baseball movie? It was a single moment at the end of the Phil Alden Robinson screenplay.

Note: Costner played Ray Kinsella and John is his father (the ghost catcher).

Screen Shot 2020-02-19 at 2.28.52 PM

Screen Shot 2020-02-19 at 2.29.07 PM

If you listen to the podcast interview Costner did with Tim Ferriss, you’ll learn that Costner and his dad didn’t always see eye to eye. And they didn’t totally patch up their relationship until shortly before his dad died. Here’s how Costner explains the moment of reading the script that made him want to make Field of Dreams. A movie he thought had a chance of being a modern day thematic version of Frank Capra’s It’s a Wonderful Life. A story of second chances.

“I had a real short intake of breath when I said ‘Dad, can we have a catch?’ I had to remember that moment forever because that’s how I make a decision whether I’m going to do a movie. I said if we can get to that moment, and take that moment where the hair on the back of your neck stands up, and where you begin to weep—and you don’t even know why—that means we’re going to have to do all these scenes that are almost dopey, correctly. They’re dopey, but we didn’t try to wink at it. It was real. That’s what makes that dangerous hard [to make]. It bordered on dopey, to begin with. And then that’s your big ending? ‘Let’s have a catch.’ I get so much credit for this, but Phil Robinson is the guy who wrote [the script]. I never would have done that movie based on a pitch. I did it based on the script. And I knew the script had gold dust on it. I didn’t know obviously that it would become part of the vocabulary. I didn’t know 30 years later it would find its way into the hearts of the people the way it did. But it found its way into my heart, and that’s why I challenged Ray Stark on Revenge and said I’m going to do this movie in the corn.”
Actor Kevin Costner 
Interview on The Bill Simmons Podcast

Field of Dreams was based on the W.P Kinsella book Shoeless Joe. Kinsella earned his B.A. in creative writing from the University of Victoria (at age 39), and an M.F.A. from the Iowa Writers’ Workshop.

Link to Field of Dreams screenplay. 

P.S. Dwier Brown plays Costner’s dad in the movie, and wrote the book If You Build It … A Book About Fathers, Fate and Field of Dreams. Costner says Brown’s own life story of overcoming adversity is quite inspirational.

Related post:
Writing Actor Bait 

Scott W. Smith 

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Posted in screenwriting | Tagged baseball, Field of Dreams, Iowa, Kevin Costner, screenwriting, The Bill Simmons Podcast, W.P Kinsella | 1 Comment

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  1. on February 21, 2020 at 11:02 am Keeping the ‘Field of Dreams’ Alive in Iowa … and Orlando (and Maybe Even for Major League Baseball) | Screenwriting from Iowa

    […] « The Moment in the Script that Made an A-List Actor Say Yes to Making a Now Classic Movie […]



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