“Odd lead performances be damned, [Bubble] is not only an underrated gem, but yet another masterpiece found within Soderbergh’s historic filmography.”
Joshua Brunsting, Criterioncast
Today on re-post Saturday I decided on one where Oscar-winning director Steven Soderbergh (Traffic) talked about directing non-professional actors because it’s a nice match for the post earlier this month where Alexander Payne’s talked about working with non-professional actors in all his films—“Nebraska”—Take 1 (Casting Farmers)— and because I finally got around to seeing Bubble last night—the movie Soderbergh referenced. (The 2005 offbeat film has never been easy to find, but it’s currently available on Netflix.)
Here’s the original post from October 2011 on one of the early HD features released in theaters:
It’s not usual for directors to use non-professional actors from time to time, but Steven Soderbergh took it to extreme for his 2006 film Bubble—the entire cast was non-professionals actors. I was reminded of that film today when I drove through Parkerburgh, West Virginia & Belpre, Ohio were Soderbergh shot Bubble. Soderbergh, who directed and shot the film, said that he found that non-professionals tend to do their best work in the first or second take before they start becoming self-conscious of their performance. Here are some other thoughts he had on the experience to help you in working with non-professional actors:
“I didn’t ever want to be in a situation of giving non-professional actors marks, you know, and be in a situation where they had to repeat a precise physical activity to accommodate where the camera was.
“So I was always working from the performance out and making sure that I had the camera in a place that could capture what they were doing without me having to tell them, ‘Hey, don’t lean over here. I need you to walk up to this mark. Don’t sit in that chair.’ I wanted them to do whatever they were going to do, and then I would find a way to have it play out in the frame.
“One of the things I like in the film is this guy, this detective, who’s a real detective who works in Ohio, he just had a quality that I thought was really fascinating, you know. It’s just impossible to fake, and especially in the interrogation scene, that was a single take, two cameras running, and watching the two of them as this scene developed was really interesting, watching his cadence slowly start to shift as, you know, the wheel starts to turn a little bit and watching her start to get more and more upset and more nervous. It was really fascinating.
“What we did was we just gave him the factual information that he would have from that alleged murder scene. I didn’t tell him what to say. I didn’t tell him how to question her. I didn’t tell him when to, you know, pull the trump card. I just said, ‘Do this the way you would do it,’ and she had no idea of what he was going to do, and so it was really interesting to watch.”
Colemon Hough wrote the screenplay for Bubble (with a large amount of improv from the non-professional actors).