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‘Study the old masters.’—Martin Scorsese

December 9, 2013 by Scott W. Smith

“I’m often asked by younger filmmakers, ‘Why do I need to look at old movies?’ I’ve made a number of pictures in the past 20 years and the response I find that I have to give them is I still consider myself a student. The more pictures I’ve made in the past 20 years, the more I realize I don’t know. And I’m always looking for something or someone I can learn from. I tell the younger filmmakers, the young students that they should do it like painters used to do it—painters do it—study the old masters. Enrich your palette. Expand the canvas. There’s always so much more to learn.”
Oscar-winning director Martin Scorsese (The Departed, Goodfellas, Hugo)  
A Personal Journey with Martin Scorsese Through American Movies (1995)
Section The Director as Smuggler

Related Post:
Learning from Others (Tip #42) Post the touches on Orson Welles watching Stagecoach 40 times while making Citizen Kane, Frank Darabont watching Goodfellas while making The Shawshank Redemption, and Christopher Nolan watching Blade Runner 100 times.
Can Screenwriting Be Taught? (2.0)

Scott W. Smith

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Posted in filmmaking | Tagged A Personal Journey with Martin Scorsese Through American Movies, Christopher Nolan, Frank Darabont, Martin Scorsese, Orson Welles |

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    • Finding the Premise of ‘Finding Nemo’
      This is a repost from a 2010 post: “I’m considered the most cynical of the group here at Pixar. I’m the first one to say when something is getting too corny or too sappy. Yet, I’d say I’m probably the biggest sucker romantic in the group, if the emotion is truthful.” Andrew Stanton Co-writer/co-director, Finding Nemo […]
      Scott W. Smith
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