“[Franklin] Leonard grew up in Columbus, Ga., as one of a handful of black students in his high school, which he says has always helped him identify with outsiders.”
The Wall Street Journal
It always seems to come back to Juno.
Yesterday I came across the The Black List Annual Report for 2013 and it’s fun to look at just because it’s so well designed by Glen Charbonneau. I also learned that the first script on The Black List to win an Oscar was Diablo Cody’s Juno. The same movie that inspired the launching of this blog because it was written by an outsider. Cody was Chicago born and raised, received her college education in Iowa, and lived and worked in Minneapolis when her writing on the side got the attention of a Hollywood insider.
But beyond the design and glance at the history of launching the first Black List in 2006 the report also gives a sweeping overview of the work they are doing. If you are unfamiliar with The Black List check out The Wall Street Journal article, For Budding Screenwriters, a Way Past the Studio Gates.
Franklin Leonard’s had an interesting journey on his way to being the founder of The Black List; Raised in small town Georgia, degree from Harvard, analyst at McKinsey in New York, agent assistant at CAA, and creative executive at Will Smith’s company is Los Angeles.
The Black List has morphed and grown over the years and now includes Scott Myers’ Go Into The Story as its official blog and a forums section, The Black Board, with Shaula Evans as the Keymaster. I see The Black List as a place that celebrates talent, fosters community, and is doing its part in providing a pathway for screenwriters and producers to connect.
And while the bulk of the screenwriters connected with The Black List are in the Los Angeles area it’s also nice to see that they are providing a door to people in unlikely places all over the world.
P.S. On a similar note check out the Reddit poster “profound_whatever” who is a script reader who has also put together a nice screenwriting graphic that offers some insights into where scripts come from and some “recurring problems”the ones he reads has—such as “The story begins too late in the script.” That’s the most common problem I see when people ask me to read a script. Many times I’ve told writers the same thing, “I read ten pages and nothing happened.” And the most common answer I get back is, “Well, I’m setting up the story.” Go watch Kramer Vs. Kramer and then Winter’s Bone and see how long the filmmakers take in setting up the story. (Spoiler: They both come out of the gate like horses at the Kentucky Derby. Granted ever script doesn’t need to have a scene one inciting incident, but I think the less established you are the sooner your story should start.)
P.P.S. Going back to a quote by CodyI first read in ’08, “Just put your stuff out there and see what happens,” I get a kick that since its inception this blog has been read in more than 85% of the countries , regions, and dependent areas of the world, including Burndi, Macau, Suriname, and Yemen. Thanks for reading wherever you are in the world and best wishes on your writing finding an audience.
The Outsider Advantage
The First Black Feature Filmmaker
Screenwriting Quote #180 (Justin Kremer)
The World Outside of Hollywood (Buck Henry quote)
One of the Benefits of Being an Outsider ( Robert Rodriguez quote)