“A number of people who know my story have been quick to seize upon it as a rewards-of-virtue narrative–all that effort and persistence, they tell me, was bound to pay off. In this view of the world, character is destiny and success is the logical–almost inevitable–consequence of hard work, patience, and a shrewdly applied intelligence.
That is not how I see things.
From my perspective, the difference between success and failure was razor-thin and depended–to a terrifying degree–upon chance, serendipity, and all manner of things beyond my control. A thousand things could have gone wrong in the five years it took to turn Little Miss Sunshine into a movie, any one of which could have destroyed the project.
Yet at every turn the script was met with good fortune; every setback was revealed to be a blessing in disguise. I was lucky to stumble upon the right agents, who got it to the right producers, who chose the right directors, who cast (perfectly) the right actor and hired the right crew. A single misstep in this concatenation and the film would have been made badly or, more likely, not at all.
Which brings me–in a roundabout way–to Richard Hoover, Winning and Losing, and the underlying concerns of Little Miss Sunshine.
All of us lead two lives–our public lives, which are visible to others, and our private lives, which are not. Richard is obsessed with the values of public life–status, rank, ‘success.’ His view of the world, divided into Winners and Losers, judges everyone–including himself–accordingly. These values have become seemingly inescapable–including himself–accordingly. These values have become seemingly inescapable in our media-saturated culture–from American Idol, to professional sports, to the weekend box office reports. Everything, it seems, has become a contest.
The problem with this worldview is that it neglects and devalues the realm of the private–family, friendship, romance, childhood, pleasure, imagination, and the concerns of the spirit. Our private lives–invisible to the outside world–tend to be far richer and more gratifying than the rewards of public life. We would do well, as poets and philosophers have long advised, to turn away from the bustle of the world and cultivate the gardens of our souls.”
Little Miss Sunshine: The Shooting Script (Newmarket Shooting Script)
From the Introduction Winning, Losing and Little Miss Sunshine
Somebody say amen.
Related Post: Rod Serling and the Corrupting Influence of Success