That’s it, Eric Guggenheim is the final straw. Is it me or are screenwriter’s names getting longer? Today I’m officially change one of the categories on this blog from “Screenwriting Quote of the Day” to simply “Screenwriting Quote #___.” The last writer I quoted was Mark D. Rosenthal and the post heading just looked too long.
So let it be said, so let it be done.
Wonder what took me so long to edit that down. It’s not like I’m paid by the word like my first writing gig at the Sanford Herald. I think it was 10 cents a word. But, heck, I was nineteen and thrilled to being paid anything to write. (Wish I was making 10 cents a word to write this blog.)
Anyway, back to Eric Guggenheim. Guggenheim sold his first script at age 23 just after he graduated from NYU before going on to write the script for Miracle (on the 1980 US Hockey team). In an interview he did with Debra Eckerling he was asked, “What separates a good sports movie from a bad one?”
Guggenhiem: If all you have is that big game, you’re lost. The film has to be about something else. Take Seabiscuit for example. It’s a story about loss and healing that just happens to be set against the backdrop of horseracing. Jeff Bridges’ character lost his son, Tobey Maguire’s character lost his family. Chris Cooper’s character lost his way of life. Working with the horse and each other helped to ease those losses.
Since I’ll go on record as Seabiscuit being my favorite movie of the last decade (and most watched), I never get tired of talking about that movie. (And am always surprised by how many people haven’t seen the film.) Sports film, horseracing, big Hollywood film—I get why some people would not be attracted to the film, but if you haven’t seen it give it a try. It really is a well-crafted film that is enjoyable to watch on many levels.
Is your favorite sports film about more than the big game? I know Rocky & Hoosiers are both about broken characters looking for redemption.