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Michael Hauge (part 2)

September 25, 2009 by Scott W. Smith

The only thing wrong with Michael Hauge’s Writing Screenplays that Sell is that it was first printed in 1991 so the film references are all old.    (At least that’s true of the version I have, and I don’t think it has been updated in the  30+ reprintings of the book.) But the tend to be modern day classics, or at least ones that are still popular today so don’t let that hinder you from tracking down a used copy on Amazon even if you weren’t born in 1991.

“Teach the audience how to do something, vicariously. Often a story will be more emotionally involving if the hero must learn some particular skill, which the audience can ‘learn’ through the character. In The Color Money, we learn the skills and philosophy of the pool circuit just as the Tom Cruise character does. Similarly, the karate training in The Karate Kid, the boxing training in Rocky, the military training in Uncommon Valor and the The Dirty Dozen, serve to involve the audience in the story.”
Michael Hauge
Writing the Screenplays that Sell
page 101

I’ve watched this happen time and time again since first reading those words many years ago. A more recent example that jumps to mind (though a remake) is The Taking of Pelham 123 starring Denzel Washington (script by Brian Heleland) that gave us a fascinating tour of what goes on behind the scene in making the New York City subways run. (Not sure if that was in the John Godey novel that the movie was based on or not.) Can you think of other examples of where you’ve learned something through a movie?

Scott W. Smith

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Posted in screenwriting | Tagged Denzel Washington, John Godey, Michael Hauge, The Color Money, The Dirty Dozen, The Karate Kid, The Taking of Pelham 123, Tom Cruise, Uncommon Valor, Writing the Screenplay that Sell | 1 Comment

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  1. on September 27, 2009 at 8:46 am Screenwriting From Iowa » Michael Hauge (part 2)

    […] The only thing wrong with Michael Hauge’s Writing Screenplays that Sell is that it was first printed in 1991 so the film references are all old.    (At least that’s true of the version I have, and I don’t think it has been updated in the  30+ reprintings of the book.) But the tend to […] Original Source… […]



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