“I shoot video because it gives me freedom as a filmmaker to try new things.”
Mike Figgis
Writer/Director
Leaving Las Vegas
“Montage is conflict.”
Sergei Eisenstein
Since my last post was on the six-word story, I thought it would be a fitting place to talk about the 48 hour film.
A couple weekends ago I made a film as part of The 48 Hour Film Project taking place in Des Moines, Iowa. Below the film titled “Heart Strings” I’ll talk a little about the process of making that film.
This is my third year doing The 48 Hour Film Project in Des Moines. The past two years my films have won best cinematography against the 35+ teams competing. This year I really wanted to take a shot at making the best film.
The first thing I noticed is in these sort of things comedy does very well so I had in mind that I’d make a film with a humorous angle. I also decided that I wanted to shoot in one location and be done shooting by Saturday morning. Local artist Paco Rosic (www.pacorosic.com) has a restaurant here and said we could shoot there after 10 PM.
Then we had a handful of people that had agreed to be in the film if I needed them. My goal was to use only two or three people. I really was aiming for simplicity. On Friday night we drew romance as the genre we had to make and the idea of speed dating came to my mind in about ten seconds.
Which of course fit the talent pool I had gathered– a mix of men and one women. Paco ended up as one of the actors and not only gets the girl at the end of the movie, but he edited the film as well. He is a talented artist and who has a non-linear editing system in his loft near the restaurant.
You learn to go with the flow when you’re making a film in 48 hours. I had an editor and a DP both from Minneapolis who had to pull out of helping just days before the shoot so I was glad Paco wanted to take a stab at editing it. Local grip and lighting specialist Jon Van Allen decided he could help out and the film would not have been as good without him. He brought not only his talent, but his fully equipped grip trailer and an extra Panasonic HVX 200 camera.
And then there is the lead actress Amy Anderson. This is a classic case of “do what you can, where you are, with what you have.” This was Amy’s first film, but I knew she could play the violin so that would play a part of the story. So she not only was on camera between midnight and 6AM talking to strangers, but she had to perform for the final scene after that. Thank you, Amy.
The entire cast and crew did a super job and it was an enjoyable and stress free shoot. I had written a loose outline of characters and some dialogue and then we just shot a lot of footage picking out the best performances that seemed to have the most conflict in the character Bridget’s search for Mr. Right.
We turned in the film before the deadline and would have liked more time to tweak the audio–but it is a 48 hour film. Thanks to people lending their time, talent and equipment the total budget was less than 48 bucks. (Probably less than the average lunch for Matthew McConaughey on “Failure to Launch.”)
If you’re a screenwriter who’s never directed a film, events like this are perfect for you to try some new things. It’s also a good chance to let people who have little or no experience to get a glimpse into what it takes to make a film. Believe it or not, an all night shoot is a great introduction to the carnival of a life in the film business.
And if you’re ever driving through Iowa and looking for a unique restaurant check out Galleria de Paco in Waterloo, Iowa. (The shooting location of Heart Strings.) How many places in the world can you eat shrimp and grits and look at a fantastic spray painted recreation of the Sistine Chapel?
Update: On August 14, The 48 Hour/Des Moines Awards were given out and my little film “Heart Strings” won best cinematography and an honorable mention for best directing.
Later that night US Olympic gymnast Shawn Johnson from West Des Moines snagged a silver metal in Beijing. In one of those quirky timing things I drove by Johnson’s high school on the way to the Fleur Cinema where the top 12 48 Hour Films were being shown.
Johnson is one more reminder that Iowa is full of surprises. Check out her website that is hosted by my buddies over at Spin-U-Tech.
Video also makes for thoughtless, lazy filmmaking, mostly be untrained fanboys with more ignorant confidence than talent or skill.
Surley you aren’t going to blame video on thoughtless, lazy filmmaking. That would be a little harsh.
First I would not say that movies shot on film are immune from “being thoughtless, lazy filmmaking.” On the other hand there are a growing list of films shot on video (and digitally) that are thoughtful and skillful filmmaking.
Peter Hedges wrote & directed “Pieces of April” and shot it with a Sony PD 150 video camera and it landed Patricia Clarkson a best supporting actress Oscar nomination.
And just how does one go from being untrained to trained? By writing, shooting and editing then learning from your mistakes and writing, shooting and editing some more. Video is an inexpensive way to learn that process.
If a young (or old…or fanboy) keeps doing that he or she is not lazy and sooner or later will not be untrained. Rian Johnson, the writer/director of the 2005 Sundance Special Jury Prize winning film “Brick” is just the latest director that I’ve heard about who began by making short films with his friends in high school using his dads video camera.
I also happen to be old enough to remember just ten-fifteen years ago when film people where looking down at AVIDs saying they would never replace traditional film editing. Do some research and see how many films and tv programs are edited on digital non-linear machines these days.
Sure video has made the production pyramid bigger, but there is still a pyramid. There probably is a wider base of thoughtless, lazy filmmaking these days, but those with talent will always rise to the top. (Just like athletes and musicians.)
Film is beautiful but expensive with a cumbersome workflow. Digital cameras are gaining ground in terms of quality. Keep an eye on the digital Red camera (www.Red.com) as it starts shaking things up in the coming years as films shot with that new 4K camera start making there way into theaters.
In fact I’ll be doing an article on that this month.
Scott
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