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Posts Tagged ‘Tyler Perry’

“Over a century and a half to the present day…you see the evidence of slavery as you walk down the street…The prison population, mental illness, poverty, education.”
Oscar-nominated director Steve McQueen (12 Years a Slave)
2013 New York Times Interview by Nelson George

“In the vast majority of stories, the hero’s overall change moves from slavery to freedom.”
John Truby
The Anatomy of Story

One of the roots of this blog is steeped in African America culture. Annye L Refoe, Ph.D., was my creative writing teacher in high school. It was in one of her classes I first wrote a dramatic script and directed a video. As a black woman raised in Sanford Florida (yeah, same place where Trayvon Martin was killed) she opened up a new world to a class of white students via the writings of Zora Neale Hurston (Their Eyes Where Watching God) and showing us the film version of Lorraine Hansberry’s play A Raisin in the Sun.

In my very short stint playing football at the University of Miami I heard stories of black players raised in Overtown during Miami’s riots , as a photographer in L.A. I did photo assignments in Watts and Compton and heard gang stories, and I’ve been in prison chapels where blacks made up 85% of those in attendance and heard some of their life struggles.

At the same time, some of the scariest situations of my life were racially centered. Being cornered by four black youths in Florida when I was ten years old, taking a wrong turn on the South Side of Chicago after midnight, and being yelled at from two feet away for having a video camera on the streets of Kingston, Jamaica (which at the time had a higher murder rate than Haiti).

I’ve at least seen the view from both sides of the street.

It’s said that many white Americans can go through a whole day without encountering a black person, but the opposite is not true for most black Americans. I don’t pretend to fully understand the struggle of black people, but as a human being I am sensitive to the issues.  It sticks with me when actor Jamie Foxx told Oprah Winfrey, “I was called a nigger almost every day in Texas.” For many whites the Civil Rights of the 60s is old news, and slavery of the mid-1800s is ancient history. Look, “We even have a black president now.”

Yes, there have been great strides on some levels. Heck, the biggest home I’ve ever been in was NFL great Deion Sanders’ 28,000+ square foot house in Dallas where I did directed a video shoot a couple of years ago. Tyler Perry’s net worth of over $400 million makes him according to one website the fourth financially successful filmmaker in America. But only he and Oscar-nominated writer/director John Singleton (Boyz n the Hood) are in the top fifty.

There are still wide gaps in our culture. And we still live in a world of much racial tension. Some have called 12 Years a Slave “Oscar bait.” If Steve McQueen wins Oscars for best director and/or best picture there will be those who say it’s because he’s black. And if he doesn’t win in either category some will say it’s because he’s black.  There’s lot of wisdom in that  William Faulkner line from Requiem for a Nun , “The past is never dead. It’s not even past.” One of my favorite all-time book titles is taken from a Yeats poem by Nigerian author Chinua Achebe for his book Things Fall Apart. 

Pick any period of world history and you’ll find Koyaanisqatsi—The Hopi Indian word for “life out of balance.” (See Godfrey Reggio film Koyaannisqatsi.) We can go back and forth on the political, economic and spiritual solutions to finding peace and harmony in a world where good and evil exist. But it’s hard not to at least metaphorically agree with the thought that,  “We are reminded daily that we live outside the Garden.”

“Everything is supposed to be different than it is.”
Simon (Danny Glover)
Grand Canyon written by Lawrence Kasden & Meg Kasden

This whole global quest we’re all on for equilibrium is why I love storytelling in general, and films specifically. Artists are like those people waving large finger pointer signs at auctions telling everyone where to look. Movies at their best stir up questions and offer hope.

Here are 25 links from this blog over the years centered around blacks and filmmaking:

The First Black Feature Filmmaker

Martin Luther King Jr. & Screenwriting –I happened to be in Atlanta the week  Coretta Scott King died.

First screenplay, Oscar—Precious

Martin Luther King Jr. Special –A multi-media project I produced with artist Gary Kelley

Screenwriting & Slavery

Blacks in Black & White “We’re a great country. We’ve got great stories. And for the most part, the great stories of people of color have not been told.”—Spike Lee

Memphis Story Wins Oscars

August Wilson’s St. Paul Roots

Lynn Nottage & her Play “Ruined”

The Kindness of Strangers

Obama, Drama & D.C. Movies

Filmmaking Quote #10 (Lee Daniels)

Nelson Mandela, Robben Island & Nudging the World

“I Have a Dream” at 50

“Super-Serving Your Niche” (Tyler Perry’s advice to Edward Burns)

Shrimp, Giants & Tyler Perry

Jackie, Spike & Sanford, Florida 

Off-Screen Quote #26 (Jackie Robinson)

Screenwriter Ernest R. Tidyman  Though white he explains why he wrote Shaft (1971)—It was time for a black winner [in movies], whether he was a private detective or an obstetrician.”

“The Help” Smackdown

Chris Rock & Adult Movies

The Father of Film (Part 2) Touches on Spike Lee on D.W. Griffith

Postcard #51 (Cotton Fields)

40 Days of Emotion Touches on the whipping scene of Denzel Washington in Glory

The Black List Annual Report (2013) Franklin Leonard

And let me give a shout-out to Brian McDonald who writes The Invisable Ink Blog.  I believe he’s the only black writer to have written a few books on screenwriting; Invisible Ink, The Golden ThemeInk Spots.

May the stories you tell—to borrow Oscar-winner Tom Stoppard’s words,  “nudge the world a little.” And may they nudge it in the right direction.

P.S. I know there are efforts being made helping minority screenwriters and welcome you passing those websites on to me in the comments or via email at info@scottwsmith.com

Additional links:
Writers Guild of America, West Diversity Department
CBS, Writers Mentoring Program
Deadline article about Warner Bros. diversity connection with The Black List ““For a black kid from Georgia, I’m acutely aware of the access issues the industry struggles with, and I’m excited to be part of a first step toward addressing this.”— Franklin Leonard
The Black List Newsletter Follow the links for Warner Bros Submission requirements
Fox Writers Intensive (FWI) “The Intensive is designed to introduce experienced writers with unique voices, backgrounds, life and professional experiences that reflect the diverse perspectives of the audiences Fox creates for to a wide range of Fox showrunners, writers, directors, screenwriters and creative executives.”
Diversity in Hollywood, NAACP
Universal Pictures’ Emerging Writers Fellowship,Seeking New and Unique Voices
In the While Room With Black Writers “There’s this thing in Hollywood, a ‘diversity staff writer.’ Most every writing room has one…”—Beejoli Shah
Organization of Black Screenwriters, West Hollywood
BuzzFeed interview with Oscar-nominated screenwriter John Ridley (12 Years a Slave“I’m from a small town in Wisconsin, but even when I’m in New York and I’m working for MSNBC or CNN, you’re used to being the only black person in the room. You spend your life in this space where you’re constantly seeing people who don’t even know perhaps they’re being a little dismissive of people of color, let alone the ugliness that you hear on a daily basis. So at times when people say that [racism] is bubbling up, it’s just bubbling up to a level where they’re aware of it.”

Scott W. Smith

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TylerPerryStudio

This morning I returned some rental equipment to PC&E Atlanta and learned that Tyler Perry’s Studio wasn’t far away. So  heading south on I-285 back to Florida I made a slight detour to drive by Mr. Perry’s 200,000 square foot studio. As I took the above photo I recalled the Tyler Perry phrase “Super-Serving Your Niche”— that I first heard Edward Burns say on Jeff Goldsmith’s podcast, but found the same essential comment in a Vanity Fair interview:

“I worked with Tyler Perry last summer on this film called Alex Cross. While we were shooting, he told me that he had just recently re- watched Brothers McMullen and he asked me why that in 15 years, I hadn’t revisited the world that Brothers McMullen and She’s the One had, that Irish-American working-class milieu. Quite honestly, I didn’t have a reason. The story just never presented itself to me. He said, ‘Please take some advice from me. Think about super-serving your niche. I would imagine that a lot of Irish-American folks out there, who felt a connection to those themes and characters, would love to see another of those kind of films from you. ‘”
Edward Burns on his film The Fitzgerald Family Christmas
2012 Vanity Fair interview by Julie Miller 

Related Posts:
Shrimp, Giants & Tyler Perry
The First Black Filmmaker

P.S. Many thanks to Stephen at PC&E for handling my last-minute rental request. In you’re in Atlanta or going to be doing a production in the Atlanta area check out PC&E because it’s an impressive rental house and studio set-up.

Scott W. Smith

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“One of the greatest tasks of my life has been to teach that the colored man can be anything,”
Filmmaker Oscar Micheaux (1884-1951)

On Tuesday, the United States Postal Service released a stamp of producer, director, screenwriter Oscar Micheaux. This is significant for several reasons. First it shows that long before Tyler Perry and Spike Lee, and before even Melvin Van Peebles and Gordon Parks, there was Micheaux. Though probably less known than those other filmmakers, according to The Miami Herald, “Micheaux, who died in 1951, was the first African American to produce a feature-length film – The Homesteader, in 1920 — and a sound feature-length film – The Exile — in 1931.”

In all he is said to have made 40 films, though only all or part of 15 survive.

The USPS press release says, “Micheaux thrived at a time when African-American filmmakers were rare, venues for their work were scarce, and support from the industry did not exist. Micheaux’s entrepreneurial spirit and independent vision continue to inspire new generations of filmmakers and artists.”

On Wednesday, Film Life’s 14th Annual American Black Film Festival began (June 23-26, 2010) in Miami. (I’m not sure if honoring Oscar Micheaux is on the list this year, but if you’re in that area Spike Lee will be doing a Master Class on The Art of Filmmaking Saturday, June 26 at the Ritz-Carlton, South Beach.)

The second thing about Micheaux of significance to this Screenwriting from Iowa blog is that I like to point out writers and filmmakers who come from outside Los Angeles and Micheaux was born in 1884 in Metropolis, Illinois, grew up in Great Bend, Kansas and had a farm in South Dakota. It was in South Dakota when he began writing short stories. According to IMDB, “Micheaux lost his homestead in 1915 due to financial losses caused by a drought. He moved to Sioux City, Iowa, where he established the Western Book and Supply Co. He continued to write novels, selling them himself, door-to-door.”

In case you missed that, Micheaux lived in Iowa for spell. Wrote books and sold them himself.  (My new hero.) Micheaux moved to Chicago with hopes of making one of his novels a book. Again IMDB, fills in what happened;”Micheaux returned to the white businessmen and farmers around Sioux City, Iowa, where he still maintained an office, and sold them stock in his new company. In this way he was able to raise enough capital to begin filming his novel in Chicago, which was then a major film production center.” (I swear, I couldn’t make all this stuff up if I tried.)

His first feature, The Homesteader, was made in 1919. IMDB states, “His next film, Within Our Gates (1920), was his response to D.W. Griffith’s The Birth of a Nation (1915), a film that had glorified the Ku Klux Klan.” These films were known as “Race Films” or “Race Movies” intended for black audiences. Wikipedia says, “During the height of their popularity, race films were shown in as many as 1,100 theaters around the country.”  It would not be until the 50s and the modern civil rights movement when Race Films were faded out.

And the third significance to Micheaux’s stamp is the artwork was created right here in Cedar Falls, Iowa by artist Gary Kelley. The same Gary Kelley I’ve mentioned many times on this blog and who I did a multi-media project with earlier this year (Kelley’s Blues).

Anyway to honor Oscar Micheaux, Gary Kelley, and my high school creative writing teacher Annye Refoe (who just happens to be black) I am going to give away one new copy of Seattle writer/teacher Brian McDonald’s screenwriting book Invisible Ink; A Practical Guide to Building Stories that Resonate. I own way too many books on screenwriting than I’d like to admit, but I believe that Invisible Ink is the first and only screenwriting book I own written by an African-American. Perhaps not something that needs mentioning, but in the context of Micheaux, I thought it was worth pointing out.

Anyway, I’ll send the book via the USPS with Micheaux/Kelley stamps. But here’s how I’ll pick one winner. In the spirit of Micheaux, I am working on publishing parts of this blog as a book (or two or three) and what I need are some blurbs from people who can say two or three positive sentences about me and/or Screenwriting from Iowa. (Could be longer, but doesn’t need to be.)  Put them in the comment section or email to me at info@scottwsmith.com. I’ll print the names and put them in a hat and choose a winner on next Friday (July 2, 2010).

Related Posts:
Screenwriter’s Work Ethic (tip #2)
Where Do Ideas Come From? (A+B=C)
Off-Screen Quote #15 (Edgar Degas)

Scott W. Smith

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“I work in a business that is run by middle age men who make films for teenage boy fantasies.”
Meg Ryan
In Style magazine
October 2008

“In 2005, (Tyler) Perry said, a Hollywood Pooh-Bah told him that ‘black folk who go to church don’t go to movies.’ Yet from that group he’s carved out a strong niche fan base.”
Perry Hagopain
Time Magazine
March 20, 2008 


shrimtruck0866 

About once a month (in season) a shrimp truck comes to my area in northeast Iowa and parks at a strip mall and sells shrimp and other seafood that were in the waters off Texas a just a few days prior. The truck is only in town for half a day before it moves on to the next town. And the same company has been doing this for over 30 years. 

That’s what I’d call a niche market. What a great idea to load up shrimp and make a little route where you go each month and build a steady market base for seafood lovers in the Midwest. I’m sure things like this happen all over the world. Niche markets are the result of supply and demand.

According to the World Dictionary the word niche means:

1.a position or activity that particularly suits somebody’s talents and personality or that somebody can make his or her own

2.an area of the market specializing in a particular type of product

The feature film Facing the Giants was made for only $100,000 yet opened in over 400 theaters in 2006. It was funded by members of Sherwood Baptist Church in Albany, Georgia who wanted to make a Christian film. Made with largely amateur actors and a mostly inexperienced crew the film went on to  gross over $10 million dollars.  A niche market with a faithful audience.

The church people made their first feature film Flywheel in 2003 and rented a local theater to show the film one weekend. The first night the film sold out and ended up having a six-week run and then got picked up by Blockbuster Video stores, aired on several Christian TV stations and went on to sell 85,000 DVDs.  Not bad for a virtually no-budget film.

But to prove that those first two films weren’t a fluke the writers (brothers Alex, who also directs, and Stephen Kendrick) recently produced Fireproof starring Kirk Cameron that is still in the theaters and was made for $500,000. and so far has grossed over $25 million. It’s safe to say that they have tapped into a niche market and done well.

(To put this in perspective Lions for Lambs released earlier this year starring Tom Cruise, Meryl Streep and Robert Redford only had a domestic gross of $15 million. It cost $36 million to make. Though it did better worldwide, with marketing costs marketing included it is estimated that the film lost $50 million.)

And also in Georgia  Tyler Perry has his own niche market. Last month the former New Orleans native who grew up in poverty recently built the 200,000 square foot Tyler Perry Studio on 30 acres in Atlanta. Guests in a attendance at the grand opening included  Will Smith, Sidney Portier and Oprah Winfrey.

According to Wikipedia, Tyler’s “best-known character is Madea who is a physically imposing and overbearing, but well-intentioned, woman who serves both as comic relief and as the loud voice of conscience for the protagonists of Perry’s works.”

The former high school dropout was inspired one day watching The Oprah Winfrey Show in 1992 and wrote a musical dealing with child abuse. While working as a car salesman he staged his first play which was not a success but he continued to hone his writing over the next six years. He began finding success in 1998 with a solid African-American audience and since then has made over $150 million with his plays, DVDs, and feature film releases.

Perry is also producing for TV (Tyler Perry’s House of Payne) and also has written a novel (Don’t Make a Black Woman Take Off Her Earrings: Madea’s Uninhibited Commentaries on Love and Life) that was number one on the New York Times Best seller list in 2006. Many in Hollywood are reportedly confused by Perry’s success.

Perry told Scott Bowles at USA Today, “I’m not sure why no one wants to admit there’s a viable audience out there that believes in God and wants to see a movie with their family. The demand is there. The supply is not.”

 

You may not have seen any of Tyler Perry’s movies (or have even heard of him) but he has had four number one box office movies and this year he was named in Time Magazine’s 100 Most Influential People in the World. 

What niche markets do you think you could tap into? What niche markets could Meg Ryan tap into if she shifted her focus around? (Time magazine March 14,2008-suggests we are living in “The Post-Movie-Star Era.”)

It’s one reason why screenwriters and filmmakers are embracing social marketing like My Space and Facebook to build a base of people interested in their work. (Join me at Facebook under Scott W. Smith in the Waterloo, IA network and please mention Screenwriting from Iowa as a reference.)

I first learned about social marketing from Nathan T. Wright at Lava Row not that long ago and now see it everywhere. It’s a natural fit for those wanting to tap into a niche market. (Did you know there is a website just for people interested in people with Mullets? Mullet Passions.) Screenwriter Diablo Cody has more than 18,000 friends on My Space. Do you think that might help her post Juno career?

Both Perry and the Kendrick brothers are once again proof that you can have success in the film industry outside of the traditional Hollywood route –out there in fly-over county. And that it doesn’t hurt to not only have faith in your screenwriting, but faith in your movies.

Side note: Back when Kirk Cameron was on Growing Pains I did a shoot with him on the Warner Brothers lot in Burbank for a show called Bridges. It was a three screen multi-media program sponsored by Pepsi and shown to hundreds of thousands of high school students across the county. If I can find a clip I’ll post it later. Kirk seemed like a one of the good guys and I’m glad to see him still making films verses being in the news as another example of a child actor gone bad.

Side note 2: If you live in Minnesota, Wisconsin, Iowa, Oklahoma, Illinois, Indiana, North and South Dakota, Nebraska, Kansas or Texas and would like to know if the shrimp truck comes to your area contact Fabian Seafood or call 409.765.9522 in Galveston. (They are fully licensed and inspected and the food tastes great.)

Photo & text copyright 2008 Scott W. Smith

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“From Iowa to Pennsylvania, the presidential campaign has provided its share of made-for-Hollywood moments.”
                                                                                  All Things Considered
                                                                                  April 18, 2008


“It’s not until Iowa when people say this is how the American people are feeling. … So it ends up shaping how people view the race in subsequent states.”
                                                                                  Barack Obama
                                                                                  USA Today
                                                                                  July 17,2007 

obama300

Did you catch the Texas–Texas Tech game last Saturday? That was high drama. And everything I love about college football. A close game down to the last second.

Did you happen to follow the 2008 presidential election results last night? Not quite as close a game. But there was still plenty of drama in the last year and a half race to the White House including a full lineup of sideshows acts; Joe the plumber, The Obama girl (not to be confused with the John Edward’s girl), Super Tuesday, Sarah “Barracuda” Palin’s troopergate, Biden’s blunders, Rev. Jeremiah Wright’s preaching, Huckabee’s humor, Hillary Clinton and her 18 million cracks in the ceiling, and even Oprah coming to Iowa.

Congratulations to President elect Barack Obama. I was able to see 13 presidential candidates as they came through Iowa and I really never thought Obama would get past Hillary. But there he was last night showing that Dylan, Springsteen, Louis Farrakhan, Pamala Anderson, Colin Powell, Jimmy Buffett and Warren Buffett were all on the eclectic winning team.

Obama overcame his lack of experience with his message of change along with the storytelling abilities of Ronald Reagan and the inspirational chants (“Fired Up–Ready to Go!”) of a motivational speaker. So 40 years after Martin Luther King Jr. was shot and killed we have an moment in history that represents symbolic healing. 

Congratulations to John McCain and his team for their hard fought battle. He’s served his country well and had over 55 million people pulling for him. And like many politicians who face defeat, the chances are good that Palin will do her homework and be back stronger with many lessons learned and popularity gained. (Though she’d have more fun and make more money doing the speaker/author circuit and having her own TV talk show.)

It really has been amazing to be a part of democracy in action at such an in-depth level. Who knew Iowa would play such an important role in history?

 

Never did I think when I moved to Iowa from Central Florida five years ago that I’d be close to such a dynamic election. So close in fact that I was within a couple feet of the future president of the United States of America several times in 2007 taking photos and shooting video on assignment.    

I took the photos on this blog at gatherings in Iowa a wee bit smaller than the huge crowd that showed up in Chicago last night to hear Obama’s acceptance speech. (I haven’t seen a celebration like last night’s since…well, Saturday when the Texas Tech students and fans stormed the field after upsetting the number one team in the country.)

Watching the gazed faces on TV at Grant Park kinda looked like that old footage you see of when The Beatles played at Shea Stadium. But America didn’t elected a rock star.  No, from the looks on the faces he’s bigger than that. More like a mix of Bono/JFK/MLK/Michael Jordon/Muhammad Ali/Billy Graham/Tiger Woods and Oprah –all in their prime.

Why is this man smiling?

Iowa State Fair August 2007

Last night I couldn’t help but think back to my creative writing teacher in high school where I wrote my first scripts and directed my first videos. Dr. Annye Refoe, who happens to be African-American, took this sports and girl obsessed teenager and added color to his world beyond the athletic endeavors of Paul Warfield and Joe Morgan. All these years later, she was one of the first people I contacted when I won the Emmy last week.

I also thought back to when I was a 19-year-old journalist and photographer and I interviewed then Tampa Bay Buccaneer quarterback Doug Williams for the Sanford Evening Herald. Williams went on to become the first African-American to be a winning Super Bowl quarterback (while playing for the Washington Redskins).

Obama was born a month after I was and the arc of racial change that has occurred since then is stunning. But we have a long way to go to realize Martin Luther King’s dream that one day the color of our skin won’t matter.  This election gets us over one hump but I am reminded of the saying that every problem has a solution and every solution has a problem.  We have not reached the finish line.

Anyway — speaking of Washington D.C. –this is a blog about screenwriting so let’s look at the inspiration and movies that has come out of that rather small area of land. The political scene and the drama surrounding it is a natural fit for Hollywood. The quintessential Washington film is Frank Capria’s Mr. Smith Goes to Washington starring Jimmy Stewart. The film earned an Oscar nomination for screenwriter Sidney Buchman who happened to be born in Duluth, Minnesota.

Between 1941-42 he served as the president of the Writers Guild of America, but was later backlisted for his refusal to name names of those in the American Communist Party to the House Committee on Un-American Activities.  

Washington D.C. is also home to Georgetown University that has educated some fine talent:
Jonathan Nolan (Memento and co-writer The Dark Knight.) 
Carl Reiner (Writer/director/actor and seven time primetime Emmy winner)
Michael J. Winship (current president, Writers Guild of America East)
William Peter Blatty (writer of The Exorcist)  
John Guare (screenwriter of Atlantic City and Tony Winning playwright)
Blake Snyder (screenwriter and author of the screenwriting book Save the Cat)
 

And coming out of the historically black Howard University in D.C. are writers Zora Hurston Neal (Their Eyes Were Watching God), screenwriter and Oscar-nominated director Dianne Houston, director Ernest Dickerson who has also been the cinematographer on many Spike Lee films, Richard Wesley (Let’s Do It Again, which was directed by Sidney Poitier), Pulitzer Prize-winning playwright Margaret Edson (Wit), poet Paul Laurence Dunbar as well as a host of actors and actresses including Ossie Davis, Phylicia Rashad, and Sean (P. Diddy) Combs. 

And American University is not only home to one of the best film programs in the country, but where the top box-office female film director, Nancy  Shyer, graduated from college. Shyer not only directed Mel Gibson in What Women Want  but also co-wrote Father of the Bride, Baby Boom  along with being nominated for an Academy Award back in 1981 for co-writing Private Benjamin.

“I remember driving on the Ventura Freeway when I was about 27, to run an errand, when I thought, ‘What if a girl joined the Army to escape her problems?’”
                                                              Nancy Shyer
                                                              (On the inspiration for Private Benjamin
                                                              Hollywood Reporter 

The Oscar winning director of Rain Man and screenwriter of Diner Barry Levinson also attended Washington University. As did actors Jude law and Jack Black. 

The Washington D.C. political scene itself has provided an compelling background for many excellent films. Mainly because films work on conflict and that never seems to be in short supply there. In fact The White House may be the single most popular home featured in movies and TV shows. Here is a partial list of movies that feature Washington D.C.:

A Few Good Me
Air Force One
All the President’s Men
An American President
Being There 
Dave
Enemy of the State
First Kid
Forrest Gump
The Hunt for Red October
Independence Day
JFK
Minority Report
Mr. Smith Goes to Washington 
Nixon
No Way Out
Three Days of the Condor
Thirteen Days
Traffic
Wag the Dog
West Wing
W.

 

There are also probably a few screenplays in the works on Obama’s life. (I bet Spike Lee and Tyler Perry are racing each other to be first.) Even if you didn’t vote for Obama you have to appreciate the journey–or at least the narrative or the significance. 

Of course there will be plenty of conflict in President Obama’s office. (Probably beginning day one at three in the morning — if not before he even takes office.) I’m sure before the final ballot was cast that Iran, Russia, and North Korea were moving chess pieces around preparing to welcome our new president. January of ’09 will be a hard time to take over the role as president  and Obama’s leadership skills will be tested early.

We quickly forget the pattern of almost every election, hope on the promise of change, harsh realities followed by blame of prior administration, and a plea for four more years to finally get things on track. Obama simply cannot do all the things he’s promised and people tend to become disillusioned quickly.

I just hope the criticism (and the joking from comedians) is not confused with racism or it’s one step forward and two steps back. If Powell is right about Obama being a transformational candidate, I just hope that transformation is for the good.  

I personally enjoy college football more than Washington politics and look forward to the Alabama-LSU game this weekend. Of course there are politics in college football, but at the end of the year the match-up for the title is usually the two best qualified, winning and prepared teams in the national. (Okay, maybe two out of the best three.)

And college football teaches us lessons in perspective.  Like the much hyped Matt Leinhart who had a stacked resume when he was the Arizona Cardinals’ first round draft pick in the 2006 NFL draft: Heisman Trophy winner, quarterback of two national championship teams at USC, and AP All-American.  Stats half-way through the 2008 season: 1 completed pass. (Only five more years on his 7 year 50 million dollar contract.)

Meanwhile the thought to be washed-up old-timer (and Iowa native) Kurt Warner is the starting QB for the Cardinals and who Sports Illustrated said is the clear choice for MVP at this point in the season.

Related Post: Martin Luther King Jr. & Screenwriting (tip #7)

 

photos and text copyright 2008 Scott W. Smith

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