“Nothing’s ever the way it is supposed to be at all.”
Jacy Farrow (Cybill Shepherd )
The Last Picture Show
We are living in the wild west. Right now, right here in the good ole United States of America.
Last night I watched the classic John Ford/John Wayne western The Searchers, and though the story is set in the wild west almost 150 years ago it only took ten minutes to connect it to current events here in the United States.
The plot of the movie kicks in the first few scenes when a young girl and her older sister are abducted in the wild west. Unfortunately, just two weeks ago here in the Cedar Valley in Iowa two young girls (cousins) disappeared without a trace. Initially more than 350 people joined the volunteer search locally, eventually FBI divers were brought in search a nearby lake, but as of today there is no news of their whereabouts.
News of their abduction went national, only to replace this weekend with the headlines of the shooting in a movie theater in Colorado where 12 people were killed.
It’s a political season so the right blames the left, and the left blames the right. “It’s movies.” “It’s guns.” Of course, it’s not that simple. But I am fond of saying that movies reflect the culture that it helps produce. Rebel Without a Cause reflected a gang culture in LA in the 50s that resulted in tires being slashed in parts of the country where that was never a problem before the movie. John Travolta hops on a mechanical bull in Urban Cowboy reflecting a Texas trend and mechanical bulls pop in bars around the country.
When Paul Giamatti yells, “I’m not drinking any f___ing Merlot!” in the Oscar-winning film Sideways it was blamed for causing a “Sideways effect” where Merlot sales dipped. Some wine expert said the movie actually helped get rid of lousy Merlots. But there is no question that the movie Sideways gave the red wine a black eye.
“Merlot acreage has been in steady decline ever since Sideways. Many were removed and planted to other crops in the San Joaquin Valley (where 60-65 percent of all California winegrapes are grown) while many along the coast were grafted to other varietals over the past few years.”
Nat DiBuduo, president and CEO of Allied Grape Growers
Merlot on the rebound (Feb 2012 article by Bob Ecker)
The bottom line is movies & Tv shows are a major influence what we drive, value, buy, wear, eat & drink, etc.—some of those influences are good, and some of them are not.
After the shooting in Colorado, Warner Brothers pulled some of the trailers for its upcoming movie Gangster Squad, where several gunmen fire their machine guns into a movie crowd. USA Today reported the film’s September 7 release has been postponed and the film is “expected to be reshot and edited.”
Since I’ve been quoting Peter Bogdanovich the last couple of days, I thought you’d be interested in an article in The Hollywood Reporter yesterday titled, Legendary Director Peter Bogdanovich:What if Movies Are Part of the Problem?
“One of the most horrible movies ever made was Fritz Lang’s M, about a child murderer. But he didn’t show the murder of the child. The child is playing with a rubber ball and a balloon. When the killer takes her behind the bushes, we see the ball roll out from the bushes. And then he cuts to the balloon flying up into the sky. Everybody who sees it feels a different kind of chill up their back, a horrible feeling. So this argument that you have to have violence shown in gory details is not true. It’s much more artistic to show it in a different way.
Today, there’s a general numbing of the audience. There’s too much murder and killing. You make people insensitive by showing it all the time. The body count in pictures is huge. It numbs the audience into thinking it’s not so terrible. Back in the ’70s, I asked Orson Welles what he thought was happening to pictures, and he said, ‘We’re brutalizing the audience. We’re going to end up like the Roman circus, live at the Coliseum.’ The respect for human life seems to be eroding.”
Of course, other than Gangster Squad, the only other movie I think of that involves a gunman shooting a moviegoers is Bogdanovich’s film Targets, in which is a gunman opens fire at a drive-in theater.
As I watched The Searchers last night I also listened to the commentary which happened to be given by Bogdanovich. He pointed out one scene of hope in the film, “Where [director John] Ford sort of lets the mother tell the theme of the picture”:
“Some day this country’s going to be a fine, good places to be. Maybe it needs our bones in the ground before that time can come.”
Perhaps that was the hope in the 1860s after the Civil War when the movie takes place. Just a little time was needed to heal the wounds of division. Perhaps that was John Ford’s hope when he made The Searchers in the mid 1950s. Just a little more time. But over the last 150 years since the Civil War we’ve put a lot of bones in the ground, and I’m not sure that time is the answer.
When I attended film school at the University of Miami in ’81-’82 there was an average of a murder a day in Miami metro. When our film professor showed us A Clockwork Orange (1971), he joked, “Welcome to Miami.” The next year Brian De Palma’s Scarface came out that reflected the violent culture of Miami at that time. That film’s almost a cartoon today.
“Writing off a tragedy like the Dark Knight massacre as an instance of simple ‘insanity,’ while technically correct, may miss one dimension of what’s really going on. For what has gradually decayed, in our society of screens, isn’t sanity. It’s empathy.”
Why does pop culture inspire people to kill? EW.com
With the passing of time we seem to becoming increasingly violent. With the passing of time movies seem to becoming increasingly violent.
But there is a movie that comes to mind that’s always been one of my favorites, and one that at least wrestles with the violent culture that we live in—Grand Canyon. Early in the film Simon (Danny Glover) is a tow-truck driver trying to haul a broken down Lexus out of the ‘hood and tells a gang member with a gun:
“Man, the world ain’t supposed to work like this.”
Simon (Danny Glover)
That film, written by Lawrence and Meg Kasdan and released in 1991, showed that Los Angeles—complete with drive-by shootings—isn’t that far removed from the wild west. But neither is Miami, or even small towns in Iowa today.
“The world ain’t supposed to work like this.” Little girls should be able to ride their bikes without be abducted, and people should be able to go to a movie theater without being shot.
Scott W. Smith
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