“I have always depended on the kindness of strangers.”
Blanche DuBois in A Streetcar Named Desire
Written by Tennessee Williams
Yesterday we went global big, today we’re going local small. Well, at least small scale in the big city. In one of the many posts I did on playwright Tennessee Williams this month I mentioned that his worked continues to gain in popularity since his death in 1983. So I wanted to tell you about an opportunity you have to support Bedlam Ensemble in their Kickstarter campaign for The Tennessee Williams Project.
They have three days remaining to raise an additional $1,000 to meet their goal and I’d love to have a few Screenwriting from Iowa angels help push them toward their goal of presenting “A unique twist on the one-act plays of Tennessee Williams” directed by Daniella Caggiano.
Bedlam Ensemble didn’t contact me, but I do have a connection with them. About five years ago I worked with one of the Bedlam actors, Tory Flack. First on a video project I produced for an economic development group and then on a short film I wrote and directed. Tory graduated with a theater degree from the University of Iowa—the same college where Tennessee Williams himself earned his college degree.
I took the above photo of Tory in front of the house in Eldon, Iowa Grant Wood used in his painting “American Gothic”—one of the most recognizable paintings in the history of art. It was zero degrees when I took that photo. Consider giving to The Tennessee Williams Project just because Tory not only gave her lines when it was zero degrees—but could smile as well. Here’s an updated photo of Tory by Chicago photographer Johnny Knight. (Throw Johnny a little kindness if you need some photography work done in Chicago, and consider Tory for that film you’re casting.)
Tory’s a very talented actress and I’m glad she’s found her way to New York where her acting gigs include the Brooklyn Shakespeare Festival. So while I’m not familiar with the Bedlam Ensemble, my hunch is Tory has connected with some like-minded actors. I saw the Bedlam Kickstarter campaign on a Facebook post last night. Bedlam Ensemble is in its fourth season and according to their Kickstarter page:
“We chose to present the one act plays of Tennessee Williams because of their beautifully poetic language, striking characters, and the great potential for ensemble work. However, these wonderful plays are not in the public canon, which means we have to pay for the right to perform them. Your support will help us pay for those rights, as well as the cost of renting The Gene Frankel Theatre—an appropriate venue since Gene Frankel in fact knew Tennessee Williams. We also need to cover the expense of putting together the lights, costumes,set, and sound design that bring the world of the play to life; and the funds for advertising our show to the world so we can get the word out and have the best possible audience.”
Lastly, I heard an interview with Tennessee Williams last week (probably from the ’60s or ’70s) where he talked about the importance of smaller regional theaters around the country as being very important for the development of writers. So seek out and support groups like Bedlam Ensemble. And if you have some plays, contact Bedlam’s literary manager Daniella Caggiano (email@example.com) about submitting your script.
P.S. Performance is scehduled for January 15th-26th 2014 at the Gene Frankel Theatre in NYC.
Postcard #65 (Tennessee Williams) Tennessee is buried in St. Louis.
Postcard #66 (Sewanee) Where Williams’ willed his literary works.
The Catastrophe of Success (Part 1)
The Catastrophe of Success (Part 2)
Don’t Quit Your Day Jon (2.0) One of the great characters in theater came from a job Williams hated.
Postcard #64 (Columbus, MS) Where Tennessee Williams was born.