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Posts Tagged ‘Remember the Titans’

Pearl Harbor is a two-hour movie squeezed into three hours, about how on Dec. 7, 1941, the Japanese staged a surprise attack on an American love triangle.”
Roger Ebert
Chicago Sun-Times

“I’ve always said that you should have different critics like in the music press – you don’t have an expert on opera reviewing Kid Rock.”
Jerry Bruckheimer
Producer, Pearl Harbor (domestic gross $198 million)


What is it about Jerry Bruckheimer that has allowed him to tap into films and TV programs that people want to see? Here’s just a partial list of some of the films that he has produced:

Beverly Hills Cop
Top Gun
Flashdance
Crimson Tide
Bad Boys
Black Hawk Down
National Treasure
Pirates of the Caribbean
(All of them)

And just this past weekend Bruckheimer’s Prince of Persia: The Sands of Time opened with $37.8 milion. (And his soon to be released The Sorcerer’s Apprentice will probably make a dollar or two this summer.)

Which means he’s been able to work with some of the biggest names in Hollywood; Tom Cruise, Will Smith, Eddie Murphy, Bruce Willis, Ben Affleck, Sean Connery, and Johnny Depp. And for good measure he produces for TV as well. (CSI, CSI Miami, Cold Case, The Amazing Race)

Producer Jerry Bruckheimer’s box office secret is really no secret at all, he simply says, “I just make movies I want to see.” Simple, right?

CSI creator Anthony Zuiker says Bruckeimer is “ferociously commercial.” He makes the kinds of films that a large group of people want to see on any given Friday and Saturday night. Of course, it’s his ferociously commercial spirit that brings more than a few critics to his work. But he is called Mr. Blockbuster not Mr. Small Contemplative Art House Producer.

“If I made films for the critics, or for someone else, I’d probably be living in some small Hollywood studio apartment.”
Jerry Bruckheimer

And here are two more quotes that some would scoff at if Bruckheimer himself would have said them.

“No artist—notably no film or television writer—need apologize for entertaining an assembled mass of people.”
Richard Walter (UCLA screenwriting professor)
Screenwriting, page 12

“I like (audiences) to enjoy the film. It’s an arcade amusement; it’s not penicillin. It’s an arcade amuesment—take people’s minds off their troubles and give’em a little bit of fun. And sell some popcorn.”
David Mamet
Conversations with Screenwriters
Interview with Susan Bullington Katz, page 200

And while Bruckheimer’s films have allowed him to own nice digs (slightly nicer than a studio apartment) in Los Angeles and Ojai, California, as well as a horse ranch in Kentucky, he grew up in humble circumstances with Jewish-German immigrant parents in Detroit, Michigan. At a young age Bruckheimer developed a love for photography and movies.

“I’m a big fan of David Lean. Bridge on the River Kwai, Lawrence of Arabia, and Doctor Zhivago are movies that were seminal films for me when I was growing up. I admire the filmmaking and the storytelling ability of Lean and [screenwriter] Robert Bolt, so that’s what I look toward for inspiration.”
Jerry Bruckheimer
Barnes & Noble Interview

Many people also overlook that Bruckheimer has also produced the more down-to-earth and inspirational films Glory Road, Remember the Titans, and Dangerous Minds.

He went to college at the University of Arizona where he didn’t major in film but psychology. He returned to Detroit where he began making automotive commercials. He did that well enough to take his talents to New York while still in his early and mid-twenties, but left the lucrative world of commercial work to try to make his mark in Hollywood.

And for the last 30 years that’s what Bruckheimer has done. To the tune of four billion plus box office dollars. (Yes, $4 billion.) An average $110 million per picture on over 40 films. A couple of weeks ago Bruckheimer got his star on the Hollywood Walk of Fame and Tom Cruise was on hand to add his sentiments:

“We’re here to celebrate the greatest producer in modern history. He certainly stands very tall in the pantheon of producers in Hollywood. He’s not only a hard-working, dedicated filmmaker but he’s a loyal friend to everyone within our industry and to all the fans around the world.”

And even though Bruckheimer is as connected to Hollywood as you can get, he’s still connected to the world outside of Hollywood.

Bruckheimer’s wife Linda (who is a novelist and producer) has bought and restored several buildings in her hometown of Bloomfield, Kentucky where she and her husband own a house. Last year Jerry & Linda gave the commencement address to Centre College in Danville, Kentucky. Jerry told the class, “God has given everybody a gift, and your task is to find yours, develop it, and dream beyond your ability. Look to your past and preserve what’s most valuable for your future…just as the next generation will look to you for guidance.”

Tomorrow I’ll look at two screenwriters also from Detroit that Bruckheimer has recently worked with.

PS. Interesting Kentucky connection—Johnny Depp (who Bruckheimer has made a film or two with) is from Owensboro, Kentucky. Tom Cruise, who moved a lot as a youth, lived (and was a paperboy) in Louisville, Kentucky for a short time, not far from Bloomfield. (Toss in that George Clooney was born and raised in Lexington, Kentucky and it’s fun to think that at one time in the late sixties or early seventies Depp, Cruise, and Clooney all lived— at the same time— in the state of Kentucky.)

Related post: Screenwriting from Michigan

Scott W. Smith

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If yesterday’s Super Bowl football game were a movie, the critics would have walked out because of all the sports clichés. An underdog team that started the season with two losses goes up against the undefeated powerhouse team in the championship game and in the last-minute scores the winning touchdown. They become the first NFC Wildcard team to win the Super Bowl.

Before we fade to black, the winning quarterback wins the Super Bowl MVP, the same award his older brother last year.  Their father who was an NFL quarterback but never had a winning season is redeemed by having two Super Bowl MVP sons.

An announcer called the New York Giants victory over the New England Patriots,  “One of the greatest upsets in Super Bowl History.”

The receiver who caught the winning touchdown cried on camera and the soft-spoken quarterback said, “You can’t write a better script.”

What can screenwriters can learn from Super Bowl XLII?

DRAMA: Drama is defined as exciting, tense, and gripping events and actions. This game had plenty of drama—plenty of conflict. You had no idea what was going to happen next.

A GREAT OPENING: First the New York Giants took a 3-0 lead and the New England Patriots came back and took the lead 7-3.  The scoring then cooled down until the fourth quarter.

TWISTS & TURNS: There were fumbles and interceptions that changed the ebb and flow of the game. The lead changed hands several times.

WHAT’S AT STAKE?: This wasn’t just another football game. The Patriots were vying to make history by becoming only the second team in NFL history to go undefeated, and having a better record than the 1972 Miami Dolphins they would have laid claim to being the greatest football team in history. As it turned out they weren’t even the best team of the night.

SUBPLOTS: For the Super Bowl I would say that the subplots were all the commercials in between the game. Little dramas that offer a change of pace and something that some people look forward to more than the game.

STRONG VISUALS: Not only were there great plays on the field, but there were static visuals in the stands like the sign held up that simply read 18-1. That one shot was the game in a nutshell. Under a game ending photo of dejected New England coach Bill Belichick that caption could read, “The mighty have fallen.”

BACKSTORY: There are too many to list here, but here are some:

-Before Eli Manning became the Super Bowl MVP he endured much criticism about his soft-spoken leadership.

-Winning coach Tom Laughlin’s job was on the line last year after finishing 8-8.

-Kawika Mitchell became a free agent last year and some thought he’d sign a multi-year contract for up to $25 million. The phone was quiet for 27 days and he signed a relatively low one year deal with the Giants to prove himself. In New York he had to change positions to play. He started the Super Bowl game and had three tackles including one sack. (As a fun sidebar, the month and year Mitchell was born I was a high school football player at Lake Howell High School in Winter Park, Florida where he would become an All-Florida football player. I wore #42 because my hero was Paul Warfield of the undefeated Dolphins team. )

-Wes Welker was so short in high school he was passed up by most colleges for a scholarship, later cut by the San Diego Chargers, under used at Miami but there he was,  a 5’9″ receiver playing in the land of giants and in the biggest game in pro football. (His eleven receptions in the game tied a Super Bowl record.)

-Doug Williams handed off the winning trophy to the New York Giant owners after the game in honor of his winning the Super Bowl MVP 20 years ago. Williams endured many hard years with the Tampa Bay Buccaneers before taking the Washington Redskins to the Super Bowl. He was also the first black quarterback to win a Super Bowl. (Fun side bar 2, when I was a 19-year-old sports reporter/photographer for the Sanford Evening Herald in Florida I interviewed Williams before a charity basketball game. I still remember his quote when I asked him how he dealt with fans booing him. “It’s not always important how the fans be when they be there, it’s that they be there.”)

FORESHADOWING: Overconfident New England quarterback Tom Brady laughed when told of a predictions that his team would lose 23-17. He said, “We’re only going to score 17?” Little did Brady know that he would be limited to one touchdown pass or that he would be sacked five times…and only score 13 points.

REDEMPTION: From the underrated NY Giants team to the individual stories there was much redemption which is at the core of many a successful movie. Redemption is one of those primal needs that screenwriter Blake Snyder is always talking about. Something every audience understands. It’s what makes us keep going back to sports movies again and again even though we often know the ending, because deep down we are looking for various kinds of redemption in our own lives. It gives us hope. And “Hope is a dangerous thing,” said Morgan Freeman’s character in “The Shawshank Redemption.”

STRUCTURE: There is a traditional beginning-middle-end to all football games just because playing time is limited. The rules of the game as well as the width and  length of the field also offer structure. Creativity comes when you embrace the limitations. Most feature scripts fall between 90-120 pages so why fight that?

THEME: This one is as basic as they get; sometimes little underrated guys win as hard work and perseverance pay off in the end. (Hoosiers, Breaking Away, The Natural, Seabiscuit, Remember the Titans, andmost recently the baseball film shot in Iowa The Final Season.) Even the Budweiser commercial featured during the Super Bowl reflected this common sports movie theme. After one of the horses doesn’t make the team he trains hard for a year with a dalmatian and makes the cut the next year.

A GREAT ENDING: Throughout the day today people will be talking about Manning’s last touchdown drive. About David Tyree’s spectacular helmet catch that helped set up the winning touchdown.  About Plaxico Burress’ game winning catch with 35 seconds left in the game. Great ending are satisfying.  And this one was for the Giants and their fans. And those that root for the underdog.

That would include the teammates of the 1972 Miami Dolphin team who probably stayed up later than the Giant players as they popped another bottle of champagne (or two) as they have been doing over the last 35 years, celebrating their place in history one more year as the only Super Bowl team to finish the year undefeated.

© Copyright 2008 Scott W. Smith

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