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A few mountaintop experiences in my life include seeing one full solar eclipse in Salzburg, winning two Regional Emmy’s in Minneapolis, and scoring three touchdowns in a high school football game in Florida. That’s an eclectic mix, and there have been others of course, but those came to my mind Saturday night as I was brought up on stage after the debut of The Planets: Re-Imagined featuring the artwork of Gary Kelley, the music of Holst performed by the Waterloo-Cedar Falls Symphony and a choral group from the University of Northern Iowa. All brought together under the direction of conductor Jason Weinberger.

My role was to create the video along with Kelley which was projected in high-definition on the 30 foot wide-screen just above the orchestra at the Gallagher Bluedorn Performing Arts Center in Cedar Falls, Iowa. Standing on stage and looking up at more than 1,200 people applauding something you worked on is an amazing experience by itself.

The concert was a great experience and I hope in the coming years The Planets: Re-Imagined finds its way into concert halls throughout the United States and even around the world. Jason Weinberger is not only the conductor of the WCFSO but the its artistic director and CEO as well. Raised in Santa Monica and educated at Yale and Peabody, Weinberger has quite a vision and hope for the future of symphony music and education.

It was a special night and I was thrilled to be connected with so many talented people.

Below are some photos of the concert (and a rehearsal and pre-concert talk) taken by Noah Henscheid a photographer from St. Paul, Minnesota.

planetsreimagined-4

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P.S. If you’re unfamiliar with Gary Kelley’s work, there’s a good chance you’ve  at least seen his art—if you’ve ever been to a Barnes & Noble book store.  Since there’s about to be a revival of author F. Scott Fitzgerald due to the release of the movie The Great Gatsby next month, here’s a photo I took at a Barnes & Noble/Starbucks of Fitzgerald that is part of the mural of writers that Kelley painted. (Actually taken in the Twin Cities not far from where Fitzgerald was born and raised.) Kelley is repped by Richard Solomon in NYC.

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Scott W. Smith

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I don’t know what the odds are for one of your sons becoming a head coach of one of the 33 NFL football teams, but there odds of having two sons as NFL head coaches has to be pretty much against you. And the odds of those two sons coaching opposing teams in the Super Bowl has to be on par with dropping a football from an airplane from a few thousand feet and a dog catching it with his teeth.

So it wasn’t historic enough that brothers Jim and John Harbaugh both became NFL coaches, or that they even faced each other when the Baltimore Ravens (John) and the San Francisco 49ers (Jim) played each other in 2011. But this past Sunday they faced off again with the stakes a little higher for Super Bowl 47.

The parents said they were neutral on who they wanted to win, but I’m sure they were proud of both of their sons. In case you don’t follow football the Ravens defeated the 49ers in a game that wasn’t decided until the final two minutes when the 49ers couldn’t score on the Ravens five yard line.

I wanted to do a post on this before the game but was traveling and had limited time and access to Internet. While I was packing to move last month—and doing some house cleaning—I came across a photo I was part of a photographic team with Yary Photography that took the photo below of the 1986 University of Michigan football team that played in the Rose Bowl when none other than Jim Harbaugh was the starting quarterback. I’ll file this one in the “It’s a small world after all” file. (Jim wore #4 at Michigan and is in the top right area of the photo.) I didn’t even realize I had that photo. It was just rolled up in a tube in my basement and had suffered a little water damage.

Michigan Rose Bowl

Anyway, like screenwriters, I don’t believe people are born NFL coaches. I imagine both Jim and John had many influences in their lives that helped put them on the path to being head coaches in the NFL, but I’m sure their parents played a key part. In fact, in a much reported story that goes back to when Jim and John, their sister Joan were little kids and lived in Iowa with their parents, their father would shout, “Who’s got it better than us?” In unison they’d shout, “Nobody!”
“At the time they lived in a tiny two bedroom-house in Iowa City, where Jack was an assistant coach at University of Iowa. Sometimes they had a car. If not, they were walking — what a terrific opportunity to work on basketball dribbling skills! Jack convinced the boys how great it was that they could bunk together in a tiny bedroom and talk philosophy and share each other’s dreams.”
Ann Killion
Sports Illustrated.com

Do you really think that when Jim and John shared each others dreams that they ever dreamed they would be coaching against each other in a Super Bowl? Sometimes, somehow there are times when you can’t dream big enough.

Don’t be surprised if next year Jim leads the 49ers to a Super Bowl victory making both brothers Super Bowl winning coaches in a feat that will probably not be reached in your lifetime.

P.S. In case you wondered where my blog was yesterday, I don’t usually posts on weekends and holidays—and the day after the Super Bowl is one of the most called in sick days of the year so I think “Super Bowl Hangover” is  like a holiday. Where people stay home to clean their houses the day after the Super Bowl, of course.

Scott W. Smith

 

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On Saturday I went to the Meskwaki Settlement near Tama, Iowa to shoot video footage (and a few still photos) of my first powwow. The footage will be part of the DVD features on an independent feature that will be shot in the area later this month.

In the past I’ve actually gone out of my way to avoid the more touristy versions of pow wows I’ve seen advertised in places throughout the Southwest. But the powwow Saturday, while open to the pubic, was the real deal. It’s a magestic and colorful sight to see hundreds of American Indians proceed into the main area singing and dancing and celebrating their culture.

The 98th Meskwaki Indian Powwow was held just off the transcontinental Lincoln Highway—that’s a lot of history flowing through one area. Meskwaki Nation is also known as the Sac and Fox Tribe.

A nice tie-in to the Olympics that just ended yesterday in London is there was talk on TV about the greatest athletes of the recent games and they mentioned Usian Bolt, Michael Pheleps and Missy Franklin and then they started talking about the greatest Olympic athletes of all-time and the name Jim Thorpe was mentioned. Thorpe who on top of being a gold medal Olympian, also played professional baseball, football and basketball. He was also an American Indian from the Sac and Fox Tribe. The 1951 movie Jim Thorpe—All-American was written by Douglas Morrow and Everett Freeman based partly on a biography by Thorpe. According to IMDB, Thorpe also had a 20-year run as an actor.

Scott W. Smith

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“I would say I’m the greatest.”
Usain Bolt

“This is very good for the country.”
Portia Simpson—Miller
Prime Minister of Jamaica after the 200m Olympic finals

Jamaica stunned the world yesterday. Taking home the gold, silver, and bronze in the men’s 200-metres finals at the 2012 Summer Olympics in London.

I haven’t written about this year’s Olympics, because I hadn’t found any motivation to connect it to screenwriting.  Then suddenly a bolt of inspiration hit me. And not just as in Usain Bolt being dubbed the fastest man ever after he became the first person ever to win the 100m & the 200m races in back to back Olympics. But because of Jamaica’s historic 1,2,3 finish in the 200m race.

Think about that—The population of Jamaica is smaller than the population of the state of Iowa. In other words, a country of less than 3 million people had three sons in one race who were faster than the other 7 billion people living on this planet. Sprinters Bolt, Yohan Blake, and Warren Weir walked away with the medals sweep.

That doesn’t happen by accident. Four year’s ago in the post Screenwriting Jamaican-Olympic Style, I wrote about the long establish training tradition that has made Jamaica such a force in the men’s and women’s track & field. And the connection to screenwriting and filmmaking is some incredible things can happen in small tucked away places, but they are years in the making.

Remember I launched this blog in January of 2008 after seeing Juno and learning about a Minneapolis screenwriter (Diablo Cody) who wrote that script in the suburbs of Minneapolis. In the post Beatles, Cody, King & 10,000 Hours, I mentioned that while it was Cody’s first screenplay it followed 15 years of everyday writing. (Including four years of writing while at the University of Iowa.)

Yesterday all the talk about Bolt and the one time fastest man in the world, Carl Lewis, reminded me that I once stood next to greatness. It was 1987 at the Mt. SAC Relays in Walnut, Califirnia. Lewis had won four gold medals at the 1984 Olympics in Los Angeles and would later be named by Sports Illustrated “Olympian if the Century.” I was a cameraman shooting footage with an Eclair NPR 16mm camera as Lewis performed “one of the most outstanding individual performances ever witnessed at the Relays, as all six of his leaps in the long jump exceeded 28 feet.” I was 25 years old, the exact age of Lewis—and the exact age of Bolt.

Probably what makes me appreciate the efforts of both Lewis and Bolt more than the other Olympic athletes is I won my share of races through high school. I’m sure if I was once a gymnast, a volleyball player or a diver I would be more fixated on those sports and athletes. While being the fastest runner in the 50-yard dash at English Estates Elementary School Olympics is a thin connection to what’s happening in the London Olympics, it’s a thin connection I enjoy making.

It’s actually what’s fun about writing this blog. While I’ve been able to parlay a love of photography, movies, and a film school degree into a lifelong career in production—even got to shoot a documentary in Kingston, Jamaica back in ’06—I would never confuse what I do with what Billy Wilder and Paddy Chayefsy did or what Steve Zaillian and Aaron Sorkin do today. But my little successes (and failures) make me appreciate their huge talent. And the hope that we all have is that we can learn from the great ones (and even the less than great ones) and it will improve our work.

P.S. Usian Bolt created a little controversy yesterday when he said, “No one remembers Carl Lewis.” Well, I remember Carl Lewis. I remember his greatness. But I also remember his aloofness. I remember that he once said, “I am limitless.” Much like Muhammad Ali saying, “I am the greatest.” Now we can put Bolt’s ”I would say I’m the greatest” on that same shelf—and watch how time handles those words. Remember, it was once thought that breaking the four-minute mile was impossible. The world record today is a more than 16 seconds below the four-minute mark. The first sub-four minute mile happened back in 1954. Time has a way of smiling on what we think is great today.

And when you’re talking great at the 2012 Olympics it’s hard to overlook Michael Phelps winning his record-setting 22th Olympic medal—spread over three Olympics. I wonder if Bolt remembers him. I know that was last week’s news, but Phelps does have 18 gold medals—13 more than Bolt currently has, and double the number of any other Olympian.

P.P.S. And while not on par with what Jamaica’s done, I must give a shout-out to 16-year-old gymnast Gabby Douglas, who came to West Des Moines, Iowa to train with Shawn Johnson’s coach Liang Chow and won two gold medals in London.

Scott W. Smith

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“Time it was, and what a time it was, it was
A time of innocence…”
Simon & Garfunkel
What a Time it Was

“When I was a kid, I’d never seen a screwball comedy. So for me [What's Up, Doc?] was just this mind-blowing, new type comedy. …I went bananas for it.”
Bridesmaid director Paul Feig
Watch This: Paul Feig’s Eclectic Must-See Movies on NPR

My first date movie was What’s Up, Doc? I remember it well. The date, not the movie. But cut me some slack, I was ten years old.

The 1972 film starred Ryan O’Neal and Barbra Streisand and was directed by Peter Bogdanovich, but I wouldn’t have been interested in them in fourth grade. I was much more interested in Paulette, my FGF—fourth grade friend.

But since I’ve been writing about Bogdanovich for the past week I thought I would revisit the film for the first time in 41 years. I can’t say that I remembered a single scene—or even line—from the film. And actually my viewing of movies was pretty limited in elementary school back in the pre-VHS/DVD/Blu-Ray/Cable TV days.

In 1972, I was much more focused on playing football & baseball (or watching Dallas Cowboys or  Cincinnati Reds play) than going to movies. In fact, I only remember a few movies that I even saw in movie theaters before What’s Up, Doc? But I remember fragments of all of those. The little kid looking for his friend at the end of The Green Beret, the car flying up Chitty Chitty Bang Bang, the planes flying down in Tora, Tora, Tora, and the kid falling in chocolate in Willy Wonka & the Chocolate Factory.

But in What’s Up Doc?—I only remember Paulette. And how we bolted from my mom (who had driven us to the theater and stayed for the movie) and sat alone.

So last night I watched the movie and bet I loved that film as much as anyone when it first came out. The film was #3 at the box office in ’72. (Behind The Godfather and The Poseidon Adventure.) According to Bogdanovich on the What’s Up, Doc? director’s commentary it broke a 33 year old house record when it opened at the 6,500 seat Radio City Music Hall. (Imagine a screening with 6,500 people.)

It’s worth noting that when the G-rated What’s Up, Doc? premiered that three of top ten money makers of 1972 according to Wikipedia were X-Rated films. Perhaps nothing signaled the past and the future more than What’s Up, Doc? and Deep Throat being released in the same year.

“What’s Up, Doc? opened yesterday at the Radio City Music Hall, which seems a perfect place for it if the audience with which I saw it is any indication. There were lots of children on hand to fall apart with laughter during the chases and the hoverings on hotel ledges seventeen floors above the street, but the real mean age of most of the others was, I’d estimate, about fifty-two and three months. With their pearl earrings and crunchy, purple-hued beehives, they didn’t always laugh as much as they might, but they did feel secure in the evocation of a past remembered as innocent.”
Vincent Canby
New York Times review March 10. 1972

The movie was Bogdanovich’s nod back to the screwball comedies of the ’30s. The Depression era when people needed a good laugh. And while I wasn’t familiar with movies like Bringing Up Baby, I did enjoy silliness found on TV in the late 60s and early 70s such as Gilligan’s Island. The Dick Van Dyke Show, Hogan’s Heroes, The Monekees, Bewitched, Green Acres, The Beverly Hillbillies, Gomer Pyle U.S.M.C. and reruns of Mr. Ed, Get Smart and I love Lucy.  And characters like Red Skelton and Bugs Bunny. For me, it was in fact, the wonder years.

In viewing the film again the thing that most jumped out at me most was the contrast between What’s Up Doc? and The Last Picture Show. The Bogdanovich directed The Last Picture was a leisurely paced drama/character study shot in black and white with a small cast in a dying small town in Texas set in the 50s.  What’s Up, Doc? is a big, colorful, fast tempoed comedy set in contemporary San Francisco that employed 28 stunt men along with a large cast of characters.

A second thing that jumped out at me was the cast of characters behind the scene that I am much more familiar with now. What’s Up, Doc?  (based on a story from Bogdanovich) was written by Oscar-nominated David Newman (Bonnie and Clyde), and two-time Oscar nominated Buck Henry (The Graduate, Heaven Can Wait), and three-time Oscar-winner Robert Benton (Kramer vs KramerNobody’s Fool, Places in the Heart).  The director of photography was Laszlo Kovacs (who in 2002 won a ASC Lifetime Achievement Award), the editor was Oscar-winner Verna Fields (Jaws) and the assistant to the producer was five-time Oscar-nominated producer  Frank Marshall known now for his work on Raiders of the Lost Ark, The Goonies, The Sixth Sense, The Bourne Ultimatum, Seabiscuit and The Curious Case of Benjamin Button. (And for good measure, director John Ford visited the set one day.)

So What’s Up, Doc? had some fire power. In 1973, it won “Best Comedy Written for the Screen” from the Writers Guild of America. It’s also had some staying power as it was listed at #61 on AFI’s America’s Funniest Movies. 

I must also point out the in the movie Howard (Ryan O’Neal) and his fiance Eunice (Madeline Kahn) are from Ames, Iowa, where he is a musicologist/professor. “Not at the University. The Conservatory of Music. You never heard of it? Well, it’s a small conservatory, but there are those who love it.” Wonder which screenwriter landed on Ames, Iowa and how it made it into the film. All roads lead to Iowa.

And lastly, when I started this Peter Bogdanovich thread last week I didn’t know that it would extend a whole week and land on his birthday today. So happy birthday, Peter Bogdanovich. What’s up?

P.S. For what it’s worth, What’s Up, Doc? was the last picture show that Paulette and I saw together.

P.P.S. Actors born in 1972, the year What’s Up Doc? was released; Jude Law, Gwyneth Paltrow, Ben Affeck, Cameron Diaz, Jennifer Garner, Amanda Peet.

Scott W. Smith

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 [President Obama]was very easy to talk to. I’ve been invited to watch the 4th of July fireworks on the White House lawn.” 
Taylor Morris

Tonight Taylor Morris will celebrating the 4th of July at the White House. Just five years ago he was a recent graduate of Cedar Falls High School here in Cedar Falls, Iowa. His senior year was active as an honors student as well as a wrestler and a soccer player with a team that went to state. He joined the U.S. Navy and ended up in the special forces. Two months ago in a IED bomb blast in the Kandahar providence in Afghanistan and he lost four limbs.

Tim Dodd a Cedar Falls photographer who met Morris on a cornfield in Iowa back when they were both teenagers, visited Morris in Washington, D.C. a couple of weeks ago and allowed me to post a couple of his pictures. Today seemed like a fitting day to do so. You can read more about Morris’ journey on Dodd’s blog post Do You Know My Friend Taylor Morris?

And this be our motto: “In God is our trust.”
And the star-spangled banner in triumph shall wave
O’er the land of the free and the home of the brave!
The Star Spangled Banner
by Francis Scott Key (1814)

Follow Morris’ story via TaylorMorris.org (links to Facebook & Twitter). And you can write Taylor at:

Taylor Morris,
General Delivery/WRNMMC/Postal Ops
8901 Wisconsin Ave, Bethesda, MD 20889-5600.

Happy fourth of July Taylor Morris.

Scott W. Smith

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Regrets, I’ve had a few
But then again, too few to mention
My Way/Performed by Frank Sinatra

Earlier this week I did one day of camerawork for a Canadian TV documentary titled Regret being produced by Newfoundland’s Christopher Richardson. We shot Kevin Hansen speaking to a class at the University of Northern Iowa in Cedar Falls, Iowa. Kevin lives in Cedar Falls and started the blog Secret Regrets in 2008 and has since had 25,000 anonymous regrets emailed to him. The blog is now also featured on The Huffington Post.

His blog eventually became the book Secret Regrets and then got the attention of Dr. Phil who ended up doing a show on regrets using Secret Regrets as a platform. Toward the end of the class where Kevin was a guest speaker, he had students text him their personal regrets. It was interesting how open the students were, and how deep their regrets were. Regret is fertile ground to explore dramatically. Can you think of any great movies, characters, or scenes that deal with regret?

How can I tie this post into screenwriting? Perhaps a quote from a 15-time Oscar-nominated screenwriter.

“My one regret in life is that I’m not someone else.”
Woody Allen

So even if you win three Academy Awards for your screenwriting (like Allen has for Midnight in Paris, Hannah and Her Sister, and  Annie Hall) it may not solve all your existential problems—or personal ones.

Scott W. Smith

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As a dreamer of dreams and a travelin’ man
I have chalked up many a mile
Read dozens of books about heroes and crooks
And I learned much from both of their styles
Jimmy Buffett
Son of a Son of a Sailor 

Jimmy Buffett will be playing in Iowa Tuesday night. The Des Moines Register reported that it’s Buffett’s first concert in Des Moines since 1985.

Without Buffett there probably wouldn’t be a blog called Screenwriting from Iowa. No blog, no Emmy. No blog, no shout-out from Tom Cruise’s website, etc, etc.

Buffett’s first hit was Come Monday back in 1974. I was 13-years old— peak time for discovering music. By the time I was sixteen I was well versed in his albums A1A, Living & Dying in 3/4 TimeHavana Daydreamin’, and Changes in Attitudes, Changes in Latitudes. By the time I left the University of Miami for film school in California I was already indoctrinated into Son of a Son of  a Sailor, Volcano, and Coconut Telegraph and had already been to the Conch Republic and taken my first big road trip—to New Orleans for Mardi Gras.

I’m not sure the first time I saw Buffett in concert, but I dug up an old file over the weekend and the first ticket stub goes back to ’78 at the Tangerine Bowl in Orlando. Probably seen him in concert at least 15 times. I took the concert photos above my senior year of high school in 1980 when Buffett opened for the Eagles at Tampa Stadium. (Back when we both had more hair, as you can see what I looked like back in the day with my hat and Buffett t-shirt.)

Lots of memories from outdoor concerts in Colorado (Red Rocks), California (The Greek Theater), Hawaii (Waikiki Shell) , and the most unusual indoor venue—the Jai-Alai Fronton in Casselberry, Florida during his Coconut Telegraph tour in ’81.

While his concerts are known to be quite a party, it was always the lyrics that drew me to Buffett. The stories. The people. The places.

He went to Paris, looking for answers
To questions that bothered him so
He was impressive young and aggresive
Saving the world on his own
Jimmy Buffett
He went to Paris 

For a kid that grew up on a dead-end street in Central Florida, Buffett opened up a world of curiosity, travel and adventure.

A world of Tony Lama boots, Carmen Miranda hats, Hemingway, John D. MacDonald, Key West, Aspen, Livingston, Montana, expatriates, Patsy Cline, Steve Goodman, Irma Thomas, manatees, sailing, steel drums, Paris, the Cafe Du Monde, Austin City Limits and a quest for paradise.

And there’s that one particular harbour
Sheltered from the wind
Where the children play on the shore each day
And all are safe within
Jimmy Buffett (written with Bobby Holcomb)
One Particular Harbour 

If you only know of Buffett’s music by Margaritaville or It’s 5 O’Clock Somewhere, check out this song of his that Bob Dylan once said he liked (Highway 61 Meets A1A);

P.S. Did you know that there is actually a Key West, Iowa.

Related posts:

Sing Along with Mitch in Margaritaville

Euphoria (for 5 Minutes)

Days in the Sun

Writing Quote #31 (Hemingway)

Scott W. Smith

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“If Indiana Jones were a cameraman his name would be Scott Duncan.”
Moe Shore
Abel Cine blog post by Moe Shore 

“I have several cameraman that I’m close to—that I respect and love, but there’s Scott [Duncan]—and then there’s everyone great, and then there’s everyone else.”
Natalie Jowett
Producer-ESPN/Maggie Vision

There are some talented shooters who have made a bigger name for themselves by being on the forefront of embracing social media. These days some of those creative people probably make more money teaching workshops and getting paid equipment endorsements than actual shooting assignments.

Then there’s Scott Duncan. A true director/cameraman/photographer rock star. And though he’s kind of mix of Lance Armstrong and Bob Marley, there’s a good chance you’ve never heard of him or his companies Scott Duncan Films/Other Films. But he’s a good source of inspiration of what one can do with a camera, so I’ll spend two or three days showing some of his work.

His resume is deep. He’s shot for ESPN, Survivor, The Apprentice, BMW, Ford, IZOD, and five different Olympics. His work has taken him around the world working with not only high-profile clients, but with a diverse group of high-profile people.

Once you see his work, you won’t be surprised that he’s also won eight Emmy Awards—but you may be surprised that he’s based in Iowa City, Iowa. (With a presence in L.A.)

And though we only live an hour a part, I’ve actually never met him. I first heard his name in 2004 when I was on a shoot in Colorado Springs and met an ABC producer who when she found I was from Iowa said, “Oh, you must know Scott Duncan.” I had never heard his name before that. I then became aware of his work and have even had two cameraman friends in Orlando (Mike Murray & Mike McAleenan) who’ve worked with Scott on various Survivor gigs around the world.

Enjoy. (The best seven minutes you’ll probably have today.)

Related post: 10 Cinematography TIps (Roger Deakins) 

Scott W. Smith

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“My grandma really said I should, so I did.”
Cassey Herkelman on her decision to become a wrestler

“Defiance gleamed in Casey’s eye, a sneer curled Casey’s lip…”
Casey at the Bat
Ernest Thayer, poem first published in 1888

By default yesterday Cedar Falls, Iowa was back in the national news with an intriguing story. It’s not your typical boy meets girl story, but instead a girl beats boy story. (At least in the history books it goes down as a “W.”)

Remember Cedar Falls is the town where Robert Waller wrote The Bridges of Madison Country and where Nancy Price wrote Sleeping with the Enemy. It’s where quarterback Kurt Warner played college ball and bagged groceries before becoming a Super Bowl MVP, and it’s where Ali Frarokhmanesh made a name for himself last year playing for the University of Northern Iowa and making a clutch 3-point shot that defeated the #1 ranked team in the country and landed him on the cover of Sports Illustrated.

And of course, Cedar Falls is the international headquarters for Screenwriting from Iowa. There is something about this place that makes this town of 36,145 people special.

This week the spotlight has been shinning just on one resident, Cassey Herkelman—a 112 pound freshman at Cedar Falls High School who became the first female wrestler to win at the State tournament level. The story went national because of a mini-controversy when a male wrestler decided to withdrawal from competition citing “a matter of conviction and religious beliefs” against physically wrestling a girl in the potentially violent sport. (The same decision, by the way, he made a few years ago when he faced Herkelman in a youth tournament. His pre-tournament record this year was 34-4.)

The student wrestler’s father, Jamie Northrup, is a pastor and had this statement,”We believe in the elevation and respect of woman and we don’t think that wrestling a woman is the right thing to do. Body slamming and takedowns, that full contact sport is not how to do that.” Fair enough. (I think most people ideally wish there were separate divisions for guys and girls, but there are not enough female wrestlers in Iowa as there is in other states.)

Herkelman just wants to wrestle. It’s something she’s been doing competitively since she was in second grade. Sometimes competing in 40 tournaments a year. (Her father Bill qualified for state his senior year of high school.) Herkelman has made enough of a name for herself that last year she was listed in Sports Illustrated’s Faces in the Crowd:

Cassandra Herkelman

CEDAR FALLS, IOWA > Wrestling

Cassandra, an eighth-grader at Peet Junior High, won the 105-pound class in the middle school division at the U.S. Girls’ Wrestling Association national championships on April 4. The week before, she won at 103 pounds in the 6th- to 8th-grade division at the Girls Folkstyle Nationals. She was Iowa’s 105-pound middle school champion in 2010 and 111-pound titlist in ’09.

So with the forfeit yesterday of her male opponent  Herkelman became the first female wrestler to win an Iowa state tournament match.

Herkelman plans to go to national competitions where she will wrestle against other girls and dreams of being on Team USA and wrestling in the Olympics in 2012 (London) or Rio de Janeiro (2016).

But the road that leads to England or Brazil starts back here in Cedar Falls where she will continue to train—mostly away from the spotlight. But you can follow the journey on her website cassandraherkelman.com.

The take away once again is little successes often lead to larger successes. And your job as a storyteller is to bring to light those unusual stories in unusual places. Tell them as 2-minute You Tube videos or as a feature film.

By the way, there aren’t many movies about wrestling but if you want taste of what it entails, check out the 1985 film Vision Quest starring Matthew Modine.


 

Scott W. Smith


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