Yesterday was an important day personally. I got a glimpse into the future. And, yes, it did involve illegal drugs.
I watched the documentary Cocaine Cowboys on immediate viewing online through Netflix. The movie has been out for few years but I had never seen it before. Having attended the University of Miami in 1981-1982 the topic alone was of great interest to me. It was impossible to live in Dade County in the 80s and not be acutely aware of the drug trade and the murders that followed in its wake.
In 1981 there were 621 murders in Dade County. (A record that still stands there.) I distinctly remember the news at that time where each murder seemed more bizarre than the next. One official on the documentary called Miami at that time, “the most dangerous place in the world.” (In reality, I think Medellin, Colombia, as in the Medellin drug cartel, in the 80s technically had the highest rate of murder per capita in the world.)
I personally didn’t see any of the crime (I was safely editing my first 8mm film in my Mahoney-Pearson dorm room) though it was hard miss all the Ferreris & Porsches kicking around Cocount Grove. And it didn’t take much for a film professor to show us A Clockwork Orange and connect it to Miami. Stanley Kubrick’s futuristic look at a chaotic culture full of brutal violence and murder without remorse was a daily realty in Miami.
But as fascinating as that era was it’s not what caused my mini glimpse into the future. It was simply because I could watch the movie immediately online. Legally. While I have watched LOST online before this was the first movie I have ever watched online.
It was an epiphany of sorts. I had a flashback to standing in line to see the movie ET, 15 years of renting VHS tapes (and paying all those Blockbuster late fees), to marveling how Netflix revolutionized things by having DVDs delivered to your home. Supply & demand and distribution channels seem to be changing quicker than ever.
Now I’m a mid-level tech savvy guy and try to somewhat keep up with where things are heading. I edit every day on Final Cut Pro. I Twitter, blog, and Facebook yet I just learned yesterday that the push this Christmas will be TVs that are interconnected to the web. This will make your TV more like a computer, stereo, photo gallery and movie theater all in one. There you’ll link to You Tube, Twitter, Facebook and the like.
Just as people are dropping their land phone lines you have to wonder what internet connected TV will do to regular cable TV. If all you do is push a button and watch the movie of your choice, what will it do to DVD sales that have been in decline for a while? There’s talk of streaming videos the same day they open in theaters.
The battle is on. And some would say its getting bloody. On production as well as distribution.
Anne Thompson wrote a post on indieWIRE called Toronto Wrap: Indie Bloodbath were she said this year’s Toronto Film Festival marked the end of the old independent market.
There were few sales made at the festival leading producer Jonathan Dana to say, “It’s a massacre.”
Thompson explains, “Fox Searchlight, Overture, Summit, Focus Features, Lionsgate, Sony Picture Classics and Miramax all wanted to buy in Toronto. While they may buy later, at fest’s end, they walked away empty handed.”
It’s one thing for independents to raise the money to get a film made and to get it into the key festivals (Telluride, Venice, Tornoto & New York) but what happens to those film if they don’t get a distribution deal?
Thompson explains, “Most of the 145 films on sale at Toronto will wind up streamed, downloaded, and viewed on a small TV or computer or mobile screen.”
At the end of Cocaine Cowboys one of the ex-girlfriends of one of the drug runners asks, “What I want to know is what happened to all that money?” That’s what filmmakers are wondering these days.
Actually, Cocaine Cowboys may be a good template for the small and micro-budget films made outside L.A. It was produced by rakontur in Miami, premiered at the Tribeca Film Festival in 2006, got picked up by Magnolia Films and had a limited theater release ($150,000 domestic), then a cable run, good DVD sales, and eventually streamed onto my computer last night. Don’t know if anybody made any money along the way but I have read rumors that HBO television is developing a dramatic series based on the players in the doc.
Hollywood in 2009 is not a more dangerous place than Miami in 1981, it just feels that way. I imagine the film industry is going to follow the path that Miami took after the city was declared DOA. It emerged as a thriving city and a land of new opportunity to those who embraced the change.
Side note: Cocaine Cowboys director Billy Corben (a University of Miami grad) has a new film coming out next month on the Miami Hurricane football team called The U.