Labor Day, the first Monday in September, is a creation of the labor movement and is dedicated to the social and economic achievements of American workers. It constitutes a yearly national tribute to the contributions workers have made to the strength, prosperity, and well-being of our country.
What Labor Day Means, US Department of Labor
“When is everything going to get back to normal?”
Roger Sterling (John Slattery) in the Mad Men episode Tea Leaves
Let me start with the good news—and then I’ll get to my car wreck. Yesterday Red Shark News posted Seven Must Read Blogs for Screenwriters and Screenwriting from Iowa…and Other Unlikely Places was the first blog mentioned. That nudge at the end of August helped this blog have its most viewed month in a year and a half. Welcome to the new readers, and I appreciate the shout-out by Patrick Jong Taylor.
“Screenwriting From Iowa…and Other Unlikely Places reads as a travelogue to the vast world of screenwriting beyond the borders of Los Angeles. Although never stated in so many words, the blog progresses two inter-related messages: learning and practicing the craft of screenwriting is not dependent on geographic proximity to major industry towns (like LA); and your own environs, no matter where you are, can be an enormous source for inspiration and discovery.”
Patrick Jong Taylor
The origins of physically starting this blog go back to January 2008 after I saw Juno when I was living in Iowa and realizing that it was written by an outsider to the film industry. Diablo Cody followed her Catholic prep school education in the Chicago area by getting an undergraduate degree in Media Studies from the University of Iowa, then writing Juno at her home and a Starbucks in the suburbs of Minneapolis. (Synergy in action: That year Cody won an Oscar for her screenplay and I won a Regional Emmy in Minneapolis for my blog.)
If you want to read one post that sums up what I’m after here check out; The Secret to Being a Successful Screenwriter (Seriously). No snake oil being sold there. Free advice that follows where Oscar-winning screenwriter Michael Arndt (Toy Story 3) says 99% of your efforts should go to becoming a better screenwriter.
Now, the bad news. (And for new readers; I usually use weekends and Holidays to re-post, not post, or go off the topic of screenwriting and filmmaking just for a change of pace. And on weekday post I aim for 200 words or less.)
My Labor Day weekend started with a bang. While stopped at red light, the above car slammed into the back of my vehicle going between 30-40 mph. Thankfully I was driving a full-sized SUV that appears to have suffered only a mangled bumper. Though I had some pain in my back and neck I was able to drive home from the accident.
The next day x-rays showed there appears to be a hairline fracture in my neck. I was given a couple prescriptions for pain killers and muscle relaxers, and supposed to see a specialist tomorrow. I’m sure many readers have been in worse accidents. Car wrecks where some involved didn’t walk away— or if they did had to use a cain or a wheelchair.
I haven’t been in an accident in over 25 years, and while thankful it wasn’t worse it still shakes you up. You’re suddenly more sensitive to the tail-gaters, and how many small cars are on the road. I don’t see buying (or even renting) a compact car in my near future.
Last week I did a solo video shoot that wrapped late at night so I lined up all my gear at the door so I could back my SUV up and load everything at once. It was such a ridiculous amount of gear that I stopped and took a picture. And I don’t think my 72 pound Arri IV light kit is even in this shot. I’ll see what the specialist says tomorrow about my neck, but thankfully I’m in post production this week so no heavy lifting scheduled.
Who knows, maybe that accident will cause me to embrace some of the smaller cameras some are already using. A couple of weeks ago I was interviewed by the Orlando Sentinel because of my micro-doc on Tinker Field, and was interested at the simple small camera set-up the one-man reporter/cameraman/editor used. That followed by my renting the mirrorless Lumex GH4 camera that shoots stills and 4K video and feels like it weighs as much as a box of Animal Crackers. And seeing footage of the newest GoPro shot with the Steadicam Smoothee is impressive. The technology—and high quality— available in small packages these days is stunning. (And everything I listed above will be relatively outdated in two years.)
All that to say, have a happy Labor Day—and drive safely.
P.S. Just to keep it movie related; car crashes are such a major part of American movies because cars are such a integral part of American culture and they also fit the bill for conflict on many levels. The car crash scene I thought about after my accident was the one in Sweet Dreams (1985) written by Robert Getchell and starring Jessica Lange as county singer Patsy Cline.
Everything I Learned in Film School (tip #1)
Neil Simon on Conflict
Screenwriting’s One Unbreakable Rule
Screenwriting Quote of the Day #16 (Richard Walter) “Planes that land safely do not make the headlines and nobody goes to the theater, or switches on the tube, to view a movie entitled The Village of the Happy Nice People.”
Juno Has Another Baby “I guess when you’re coming from the middle of the country and you’re not part of the industry and you’re just telling your own story, I think it’s easy to be more original.”—Diablo Cody
Scott W. Smith
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