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« Late Bloomer Raymond Chandler at 40
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Raymond Chandler’s Influence

January 17, 2013 by Scott W. Smith

“I had no notion of becoming a writer,” is how writer Walter Mosley describes his life before reading the following two sentences:

“He was looking at me and neither his eyes nor his gun moved. He was as calm as an adobe wall in the moonlight.”
The Long Goodbye, written by Raymond Chandler

“It took Raymond Chandler to show me something that I already knew but had never been aware of. Adobe walls in the lunar light of the southern California desert had the most passive demeanor—they were the ideal of peacefulness. Then the writer contrasts this nearly absolute tranquility to an armed and dangerous man … For the first time I understood the power of language to reach beyond the real into the metaphysical and into metaphor. Those 24 words alerted me to the potential power of writing.”
Author Walter Mosely who’s published 34 books and won the O Henry award, a Grammy, and PEN Lifetime Achievement Award
The Two Raymond Chandler Sentences That Changes Walter Mosley’s Life written by Joe Fassler in the Atlantic

“Everyone knows who Raymond Chandler is and I began reading him in the late ’40s when I was writing westerns. And I remember thinking, ‘why don’t I switch over to things like the kinds of stories that Raymond Chandler’s doing?’”
Author Elmore Leonard (Get Shorty)
On receiving the Raymond Chandler Award

“He wrote like a slumming angel and invested in the sun-blinded streets of Los Angeles with a gusto and imaginative flair.”
Reference about Raymond Chandler by crime fiction author Ross Macdonald who created detective Lew Archer (The Moving Target)

“What [Quentin] Tarantino may be most renowned for is his focus on highly stylized modes of speech. Greatly influenced by the likes of film noir/pulp fiction writers Dashiell Hammond, Raymond Chandler and Elmore Leonard, Tarantino elicits vivid responses from his audiences by incorporating mundane banter about ubiquitous popular culture subject matters.”
Michael Peters
An Analysis of Quentin Tarantino and His Films

“Your clothes should be jazzy, very jazzy indeed, Steve. To be inconspicuous in this town is to be a busted flush.”
Raymond Chandler, The King in Yellow 
A short story by Chandler, and worth noting because the name author John D. MacDonald called the famed houseboat in 21 Travis McGee private detective novels was The Busted Flush. (Though the character McGee won the boat in a poker game, some consider it a nod to Chandler by the writer MacDonald.)

And here’s a different kind of Chandler influence from the trailer for Dead Men Don’t Wear Plaid (1982) written and directed by Carl Reiner and starring Steve Martin:

That’s just what I could come up with in a breif search online. Do you know of other writers who were influenced by Chandler?

Scott W. Smith

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Posted in Miscellaneous | Tagged and Quinton Tarantino, Carl Reiner, Elmore Leonard, Joe Fassler, John D. MacDonald, Raymond Chandler, Ross Macdonald, Steve Martin, the Atlantic, The Long Goodbye, Travis McGee, Walter Mosley |

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