“When you do a scene (as a cinematographer) you ask yourself, ‘What do you want the audience to think or feel at the end of the scene that they didn’t at the beginning of the scene? What path do we take that will evoke their emotional response by the end of the scene.’” ACS & [...]
Archive for November, 2011
Cinematography & Emotions (Part 2)
Posted in filmmaking on November 30, 2011 | 1 Comment »
Editing for Emotion
Posted in filmmaking on November 29, 2011 | 3 Comments »
“Film is a popular medium, and the audience is never far from our thoughts, the way the ocean is never far from the thoughts of a shipbuilder.” Feature film editor Walter Murch Behind the Seen Film editor Walter Murch has won three Academy Awards, and in a career that has spanned six decades he’s edited a [...]
Emotional Structure (Part 4)
Posted in screenwriting on November 28, 2011 | 2 Comments »
“A dramatic story is any series of events having vivid, emotional, conflicting, striking interest or results.” William Froug Screenwriting Tricks of the Trade “Witness is a great little film that works on all levels. The ending of one thing is always the beginning of something else.” Syd Field If basic emotions are Happy, Sad, Disgust, [...]
Emotional Structure (Part 3)
Posted in screenwriting on November 27, 2011 | 2 Comments »
“Doesn’t everyone feel in the same language? Emotion, which equals great writing, transcends genres, ages, economic classes, and political boundaries.” Karl Iglesias “The story is the journey for truth. The plot is the road it takes to get there.” Peter Dunne I have yet to find a nice, neat, and concise definition of emotional structure—but [...]
Emotional Structure (Part 2)
Posted in screenwriting on November 26, 2011 | 1 Comment »
“A.J. Appleyard, in a study of the various stages of reading through which we go as readers, insists that the major source of literary experience is emotional. Without an affective dimension, without investing feelings, reading fictional texts would hold no interest. Reading is always ‘emotional.’ To deny this fact of life is to supress a [...]
Emotional Structure (Part 1)
Posted in screenwriting on November 25, 2011 | 1 Comment »
“Plot is more than a pattern of events, it is the ordering of emotions.”Irwin BlackerElements of Screenwriting “Without understanding Emotional Structure, the beginning, the middle, and the end of your script have a 100 percent chance of becoming the beginning, the muddle, and the end. Because emotions rule the central, most misunderstood and most feared [...]
“Who’s got it better than us?”
Posted in Miscellaneous on November 24, 2011 | 2 Comments »
“When you drink from the well, remember the well-digger.” Chinese proverb Happy Thanksgiving from Iowa. I have two stories from Iowa that tie into not only Thanksgiving, but into the theme of emotions that I’ve been writing about a chunk of this month. Jim and John Harbaugh are not just the only two brothers to [...]
Aesthetic Emotion
Posted in screenwriting on November 23, 2011 | 1 Comment »
“Aesthetics is for the artist as Ornithology is for the birds.” Barnett Newman “Aestheticism is a search after the signs of the beautiful. It is the science of the beautiful through which men seek the correlation of the arts. It is, to speak more exactly, the search after the secret of life.” Oscar Wilde I’m not sure [...]
Cinematography & Emotions
Posted in filmmaking on November 22, 2011 | 1 Comment »
“There was certain quality of melanchloy that Connie (Conrad Hall) carried with him that he was very in touch with and you feel it in the films.” Director Glenn Gordon Caron Melancholy can be defined as a pensive mood or depressing spirit. If you read many bios of artists across the board (painters, writers, musicians, [...]
“A Gymnasium for the Senses”
Posted in screenwriting on November 21, 2011 | 1 Comment »
For just over two weeks I’ve been writing about the role of emotions in filmmaking and screenwriting and somehow I missed that Richard Walter has a whole chapter in his book Essentials of Screenwriting simply titled Emotion. Here is part of what the Professor of Screenwriting at UCLA’s MFA program wrote: Film is for feeling. [...]
