“At first the screenplay (Good Will Hunting) seemed perhaps a little wordy. As Matt (Damon) joked on the set when we shot the movie, the Good Will staging was usually two people sitting in chairs across from each other and talking. Only the backgrounds and the characters changed, and usually only one of the characters changed since Will is in virtually every scene. “
Director Gus Van Sant
Introduction to Good Will Hunting; A Screenplay
Perhaps the reason that Good Will Hunting has so many scenes of two people talking is that its writers (and co-stars), Matt Damon and Ben Affleck (then in their early 20s), wrote much of the screenplay with just the two of them driving a car across the country between Boston and LA.
“A lot of Good Will was written on such cross-county road trips. We tell each other stories while in a particular character, usually to make each other laugh or to make sure that Ben doesn’t nod off…So it sort of ups the ante as far as the story goes. When we both get into an improv that we both like, that we both think is going well and dialogue we are relatively excited by, I will open up the glove compartment where I keep a notebook and write down a few notes that we will use later to recall the entire improvisation.”
Damon and Affleck won an Oscar in 1998 for their script. Best Writing. Check out this video as Jack Lemon and Walter Matthau present the award to the childhood friends turned actors/writers and eventually Hollywood superstars. Because over the years since then Damon and Affleck haven’t written another script together some speculated if they really wrote the script. Writers and directors from William Goldman, Kevin Smith to Rob Reiner have been mentioned at one time or another. But since Damon and Affleck’s careers took off after their early success, they probably haven’t had much time together for many cross-country roads trips. More recently Damon as mentioned a little help from an Oscar nominated director.
“We just asked if we could have a meeting with (Terrence Malick) . We went to Boston to see him. And we had it in the script that my character and Minnie’s left together at the end of the movie. Terry didn’t read the script but we explained the whole story to him, and in the middle of the dinner, he said, ‘I think it would be better if she left and he went after her.’ And Ben and I looked at each other. It was one of those things where you go: of course that ‘s better. He said it and he probably doesn’t even remember that he said it. He started talking about Antonioni. ‘In Italian movies a guy just leaves town at the end and that’s enough.’ And we said of course that’s enough. That’s where we come from. If you just leave that’s a big enough deal. It doesn’t have to build up to anything more.”
Interview with Tom Shone
So you can add writer/director Michelangelo Antonioni (Blow-Up) to those said to have had a hand (a finger?) in making Good Will Hunting work. But there are only two names on that Oscar—Matt Damon and Ben Affleck. How does the expression go? Success has many fathers, but failure has no mother.
P.S. Four years after Good Will Hunting’s Oscar win, another story about another math genuis with ties to Boston (A Beautiful Mind) won four Oscars including Best Screenplay and Best Picture. More movie cloning?
Related post: Writing “A Beautiful Mind”