“I love the concept that your friends, your neighbors, the people you know best and trust most become your enemies, and that’s a pure, primal concept that digs deep into the soul and human psyche and human fear. I thought, what a great subject to explore.”
Director Breck Eisner
(A quote not about a documentary on the Hollywood film industry, but the concept behind his film The Crazies)
Last night I went to see The Crazies, the first full-bore Hollywood feature that was shot & widely released as a part of the Iowa film incentives. (Yes, the ones that are fading away.) I’m not really into the zombie-like thing but was pleasantly surprised how good the film was and how enjoyable it was to watch. (72% on the T-meter over at Rotten Tomatoes and a healthy box-office.)
The cast led by Timothy Olyphant was super and the pacing of the movie was excellent. Screenwriters Scott Kosar and Ray Wright set the George Romero remake in a small town in Iowa. The Midwest peacefulness was shattered from the start when the first crazy walks onto a little league baseball field with a shotgun. It was an effective way to set the tone early. Some stories need a little setting up, but like Jaws, The Crazies sprints out of the gate and never really stops until the end.
I didn’t know until after the film was over that former Disney CEO Michael Eisner’s son, Breck Eisner, directed the film. Turns out the director who is in his mid-thirties is a USC film school grad and spent 10 years directing big budget commercials as well as some TV programs and the film Sahara starring Matthew McConaughey. Even though he’s Michael Eisner’s son (which I’m sure has its advantages and disadvantages) he’s still been at it for 15 years as he develops his craft. (A favorite theme of mind.)
“The greatest moviegoing experience of all time is Raiders of the Lost Ark, maybe just after Star Wars. So there was an element in me who as a kid just loved those kinds of movies and was excited to make one. When it came to The Crazies, getting an opportunity to do a darker, more intimate, character-based, more personal movie was something I really jumped at and wanted to do. It’s much looser, much more intimate – it’s a completely different type of movie, for sure. It’s not about scope; I really got to dive into character and relationships and really spend time in those worlds.
But still, shooting horror is like shooting action. They’re very closely-related cousins. You’ve got an action sequence, it’s built up, you’ve got a number of shots to build up to the big climax, and then you quickly resolve it and hopefully do a couple of spins on the way. With horror it’s the same way – it’s all about the suspense, it’s all about the pieces and shots and angles and how you build up to the big climax and the resolution, so it’s a similar muscle that’s flexed.”
Cinematical interview with Todd Gilchrist