“It’s universality is obvious. Who among us, sometime in his life, hasn’t shared living quarters with another human being?…The play represented everyone in the world, including, I imagine, astronauts in space for weeks at a time.” Neil Simon on his play/screenplay The Odd Couple While my post on Scent of a Woman showed a movie [...]
Archive for March, 2010
Writing “The Odd Couple”
Posted in screenwriting, tagged Art Carney, Jack Klugman, Jack Lemmon, Rita Moreno, Roy Gerber, Sally Struthers, Scent of a Woman, The Female Odd Couple, The Odd Couple, The Odd Couple I & II The Original Screenplays, Tony Randall, Walter Matthau, Woody Allen on March 31, 2010 | 1 Comment »
Writing “Scent of a Woman”
Posted in screenwriting, tagged Academy Award, Al Pacino, Broadway, Chinatown, Dale Wasserman., First Impressions, Ken Kesey, Noah Cross, One Flew Over the Cuckoo’s Nest, Princeton University, Scent of a Woman, Shoot the Moon, Wall St., Where Do Ideas Come From? (A+B=C), William Froug, Zen and the art of screenwriting on March 30, 2010 | 3 Comments »
“(Scent of a Woman) is my favorite only because I feel like I matured and the movie reflects that.” Screenwriter Bo Goldman Before Bo Goldman won an Academy Award as a screenwriter he had to experience his own personal life of ups and downs. His father owned a chain of department stores which afforded Goldman [...]
Writing “Rebel Without a Cause”
Posted in screenwriting, tagged Dennis Hopper, Interview by Margy Rochin, James Dean, Marlon Brando, Nicholas Ray, Paul Newman, Rebel Without a Cause, Stewart Stern; Out of the Soul, Sundance Institute's Screenwriters Lab, UC Press E-Books Collection, University of Iowa, University of Washington's Extension Program on March 29, 2010 | 1 Comment »
Screenwriter Stewart Stern has popped up on this blog before because he was educated at the University of Iowa and he wrote the screenplay for Rebel Without a Cause. Yesterday, I discovered an interview with him, Stewart Stern; Out of the Soul, Interview by Margy Rochin, which is part of the UC Press E-Books Collection online. Anytime [...]
St. Louis Walk of Fame
Posted in Screenwriting Road Trips, tagged A Streetcar Named Desire, Ghost Busters, Harold Ramis, Picnic, Redd Foxx. Sanford & Son, Shelly Winters, Stanley Kowalski, T.S. Eliot, Tennessee Williams, The Delmar Loop, The Loop, Vincent Price (House of Usher), Walt Disney, William Inge on March 28, 2010 | 3 Comments »
“It is self-evident that St. Louis affected me more deeply than any other environment has ever done. I feel that there is something in having passed one’s childhood beside the big river, which is incommunicable to those people who have not. I consider myself fortunate to have been born here, rather than in Boston, or New [...]
Off Screen Quote #18 (Scott Joplin)
Posted in Off Screen Quotes, tagged Joshua Rifkin, Scott Joplin, The King of Ragtime, the Sting on March 27, 2010 | 1 Comment »
A popular quote attributed to composer & musican Scott Joplin is, “When I’m dead twenty-five years, people are going to begin to recognize me.” And here we are almost 100 years after his death still talking about “The King of Ragtime” and playing his music. I thought of Joplin yesterday when I drove by the [...]
Making a Name for Yourself 101
Posted in Miscellaneous, tagged 000 hour rule, Ali Farokhmanesh, Brett McMurphy, Cedar Falls, Indian Hills Community College, Iowa, Iowa City West High School, Kansas Bluejays, Kirkwood Community College, Maximus Decimus Meridius, Michigan St., NCAA Fanhouse, Ottumwa, Sports Illustrated, Sports Illustrated cover, Sweet Sixteen, The 10, UNI, University of Iowa, University of Norhern Iowa, UNLV on March 26, 2010 | 2 Comments »
“Let it roll off the tongue: Ali Farokhmanesh. Get used to it: Fuh-ROAK-muh-NESH.” Brett McMurphy NCAA Fanhouse “When you’re a small program like this, you want to get your name out there.” Ali Farokhmanesh The name Ali Farokhmanesh is not a common name in Iowa. Probably not common in entire the United States. But it is [...]
DAVID MAMET’S BOLD MEMO (?)
Posted in screenwriting, tagged Davd Mamet's Master Class Memo to the Writers of The Unit, David Mamet, DAVID MAMET'S BOLD MEMO, Mamet's Memo, Movieline.com, Seth Abramovitch, The Unit on March 25, 2010 | 8 Comments »
“IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.” David Mamet (?) My friend Carolynn sent me an email yesterday in regard to an alleged David Mamet memo. I had not see it before, but whether he wrote the memo or not, I think it is going down as instant legendary [...]
The Secret Hollywood Handshake
Posted in Screenwriting Biz, tagged Hal Croasmun, Screenwriting U, Selling Screenplays From Outside L.A.?, twitter on March 24, 2010 | 2 Comments »
Recently I came across a post called Selling Screenplays From Outside L.A.? by Hal Croasmun where at an event he says he asked the question, “Is it possible to create a screenwriting career from outside L.A.?” to 16 L.A. producers and two agents. Croasmun writes; Up until recently, the typical answer to the “selling from [...]
Screenwriter/Director Richard Brooks
Posted in Screenwriters, tagged Backstory 2: Interviews with Screenwriters of the 1940s and 1950s, Blackboard Jungle, Cat on a Hot Tin Roof, Conrad Hall, Elizabeth Taylor, Elmer Gantry, Go Into The Story, In Cold Blood, Lee J. Cobb, Patrick McGilliagan, Paul Newman, Richard Brooks, Scott Myers, Temple University, The Professionals, TRuman Capote, U.S. Marine on March 23, 2010 | 4 Comments »
“I write in toilets, on planes, when I’m walking, when I stop the car. I make notes. If I am working at a studio, I work at the studio in the morning, then come home. I am really writing two days instead of one. After the studio, I have my second day [at home]. I write [...]
Meet Your First Audience (Tip #36)
Posted in screenwriting tips, tagged Creative Screenwriting magazine, Jeff Goldsmith, Pete Chiarelli, Sandra Bullock, Screenwriting by numbers, The Proposal on March 22, 2010 | 1 Comment »
Last week I was asked this question: “I’m trying to write more with ‘looks,’ more action, and less dialogue. I find very little advice for how to write these looks into the narrative without ‘directing’ the scene. Also, screenwriting books frequently state that narrative sections rarely get read by readers early in the process. That [...]
