• Home
  • About Emmy-Winning Blog
  • ©2008-2013 Scott W. Smith

Screenwriting from Iowa

…and Other Unlikely Places

Feeds:
Posts
Comments
« Before John Hughes was John Hughes (part 2)
From Poland, Ohio to a 155-foot Yacht »

Before John Hughes was John Hughes (part 3)

November 22, 2009 by Scott W. Smith

“Kids are smart enough to know that most teenage movies are just exploiting them. They’ll respond to a film about teenagers as people. [My] movies are about the beauty of just growing up. I think teenage girls are especially ready for this kind of movie, after being grossed out by all the sex and violence in most teenage movies. People forget that when you’re 16, you’re probably more serious than you’ll ever be again. You think seriously about the big questions.”
John Hughes (talking to Roger Ebert on the set of The Breakfast Club)

For the past couple days I’ve followed the thread of John Hughes working in advertising before his screenwriting career took off. But another aspect of John Hughes that made his work special was he was Midwestern  to the core. He was born in Lansing, Michigan in 1950, moved to the Chicago suburb of Northbrook, IL as a teenager, and graduated from Glenbrook North High School in 1968. He did attend college in Arizona but didn’t graduate and moved back to Chicago where he began working in advertising.

Here’s the thing that many people don’t realize–he never left Chicago. Here’s what Hughes once told Roger Ebert:

“I’m going to do all my movies here in Chicago. The Tribune referred to me as a ‘former Chicagoan.’ As if, to do anything, I had to leave Chicago. I never left. I worked until I was 29 at the Leo Burnett advertising agency, and then I quit to do this. This is a working city, where people go to their jobs and raise their kids and live their lives. In Hollywood, I’d be hanging around with a lot of people who don’t have to pay when they go to the movies.”

I don’t think all of his 30+ films are set in Chicago but certainly his most memorable films have a Chicago emphasis; Mr. Mom, The Breakfast Club, Home Alone, Ferris Bueller’s Day Off, Christmas Vacation and if I recall correctly Sixteen Candles, She’s Having a Baby, and Pretty in Pink. And several more I’m sure.

“Refusing to move to Los Angeles, he once told me why he preferred to bring his young acting discoveries to Chicago to film: ‘I like to check them into a motel far away from their friends, keep them out of trouble, and have them focus on the work.’”
Roger Ebert
John Hughes: In Memory

For whatever reason Hughes only directed from 1984-1991. Though he continued to write screenplays over the years he in part retreated to a farm outside Chicago. (And actually just a two hours from the Iowa-Illinois border.)  I don’t know if he just was seeking a simple life or  just burned out from producing more work in a decade than most people do in a lifetime. Hughes wasn’t big on being interviewed so we may never know. Which, of course, adds to his intrigue.

Which makes the Robert Nolan article a nugget of gold. Nolan speculates on where Hughes got the idea for Planes, Trains & Automobiles:

John had an 11AM presentation in New York on a bleak winter Wednesday. He flew out of Chicago at 7AM, planning to return to Chicago on the 5 PM plane. But high winter winds were buffeting La Guardia and one after another, flights were canceled including John’s so he was forced to spend the night at a hotel nearby. The next morning, he stood by for a flight to Chicago, but many of these were being canceled as well because a big snowstorm was now raging in Chicago. When John finally did get out, his plane had to be diverted to Des Moines. But as they approached Des Moines, that airport became snowed in as well and the flight ended up in Denver. Not being able to get back to Chicago right away, John stayed on the plane and took it on to Phoenix. “Well, Phoenix is warmer”, he explained.

I talked to him a lot while he was stranded because John was tired and frustrated and needed to explain why he wasn’t in the office. Without luggage and running out of money, he complained that all he wanted was “A clean shirt! A clean shirt!” It took until the following Monday before he could get back to Chicago.

The other day, someone on TV said that Planes, Trains, and Automobiles was simply a rehash of Vacation and the material came from the same story. Not true. You can’t make up an odyssey like that.”

And lastly I found this little tribute to John Hughes on You Tube that is bound to bring back a few memories. If you’re looking for an example of a writer from outside L.A., who wrote stories that took place outside L.A., and stayed outside L.A., and found great success—then John Hughes is your man.

Scott W. Smith

Share this:

  • StumbleUpon
  • Digg
  • Reddit
  • Facebook
  • Email
  • Twitter

Like this:

Like Loading...

Posted in Screenwriters | 1 Comment

One Response

  1. on November 22, 2009 at 11:06 am Screenwriting From Iowa » Before John Hughes was John Hughes (part 3)

    [...] “Kids are smart enough to know that most teenage movies are just exploiting them. They’ll respond to a film about teenagers as people. [My] movies are about the beauty of just growing up. I think teenage girls are especially ready for this kind of movie, after being grossed out by all the sex and violence in [...] Original Source… [...]



Comments are closed.

  • Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 341 other followers

  • @scottwsmith_com

    • RT @RichardWalterUC: Thanks .@scottwsmith_com for reminding writers of "Screenwriting’s One Unbreakable Rule"!... fb.me/36YEa1TOP 12 hours ago
    Follow @scottwsmith_com
  • Screenwriitng from Iowa…and Other Unlikely Places

  • Richard Walter Advanced Screenwriting Workshop

    June 24- August 2, 2013 Six Monday Afternoon Sessions Open to all UCLA and non-UCLA students For details click the link below: http://bit.ly/VXs1Y3
  • Recent Posts

    • Shane Black’s Style
    • Screenwriting’s One Unbreakable Rule
    • Woman of Steel
    • “What if your script doesn’t sell?” (Tip #73)
    • From Ann Arbor to Smallville (David S. Goyer)
  • Pages

    • About Emmy-Winning Blog
    • ©2008-2013 Scott W. Smith
  • Categories

    • Book Reviews
    • Film History
    • filmmaking
    • Filmmaking Quote of the Day
    • Miscellaneous
    • Most Viewed Posts
    • Movies
    • Off Screen Quotes
    • Post Cards on the Road
    • Quotes from the Road
    • Reposts
    • Screenwriters
    • screenwriting
    • Screenwriting & Life
    • Screenwriting Biz
    • Screenwriting Quotes
    • Screenwriting Road Trips
    • screenwriting tips
    • Video Blog
    • Writing Quotes
  • Add to Technorati Favorites
  • Digg!
  • Top Posts

    • How Much Do Screenwriters Make?
    • Screenwriting's One Unbreakable Rule
    • Shane Black's Style
    • Screenwriting the Pixar Way (Part 2)
    • Average Length of a Movie Scene (tip #21)
    • Woman of Steel
    • 10 Cinematography Tips (Roger Deakins)
    • From Ann Arbor to Smallville (David S. Goyer)
    • "What if your script doesn’t sell?" (Tip #73)
    • About Emmy-Winning Blog
  • Archives

    • June 2013
    • May 2013
    • April 2013
    • March 2013
    • February 2013
    • January 2013
    • December 2012
    • November 2012
    • October 2012
    • September 2012
    • August 2012
    • July 2012
    • June 2012
    • May 2012
    • April 2012
    • March 2012
    • February 2012
    • January 2012
    • December 2011
    • November 2011
    • October 2011
    • September 2011
    • August 2011
    • July 2011
    • June 2011
    • May 2011
    • April 2011
    • March 2011
    • February 2011
    • January 2011
    • December 2010
    • November 2010
    • October 2010
    • September 2010
    • August 2010
    • July 2010
    • June 2010
    • May 2010
    • April 2010
    • March 2010
    • February 2010
    • January 2010
    • December 2009
    • November 2009
    • October 2009
    • September 2009
    • August 2009
    • July 2009
    • June 2009
    • May 2009
    • April 2009
    • March 2009
    • February 2009
    • January 2009
    • December 2008
    • November 2008
    • October 2008
    • September 2008
    • August 2008
    • July 2008
    • June 2008
    • May 2008
    • April 2008
    • March 2008
    • February 2008
    • January 2008
  • Meta

    • Register
    • Log in
    • Entries RSS
    • Comments RSS
    • WordPress.com
  • RSS Screenwriting from Iowa

    • Shane Black’s Style Scott W. Smith
  • Blogroll—Favorite Posts from Others

    • 23 STEPS TO A FEATURE FILM SALE—Terry Rossio
    • ASPIRING TO ACT, WRITE, DIRECT—TomCruise.com
    • BURN IT DOWN—John August
    • CASE STUDIES IN FILM EDITING—Oliver Peters
    • DAVID MAMET'S MEMO— Movieline
    • EVERY SALE HAS A STORY—Blake Snyder
    • FILM FINACE OVERWHELM—Stacy Parks
    • IT'S THE CONCEPT STUPID—Max Adams
    • LISTEN TO A MOVIE—Scott Myers
    • MISHA GREEN INTERVIEW—Scriptshadow
    • QUERY LETTER SAMPLE — Michele Wallerstein
    • THE 'RAIDERS' STORY CONFERENCE—Mystery Man on Film
    • THE "A" LIST—Christopher Lockhart
    • VINCENT LAFORET—chasejarvisLIVE

Blog at WordPress.com.

Theme: MistyLook by WPThemes.


Follow

Get every new post delivered to your Inbox.

Join 341 other followers

Powered by WordPress.com
loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.
%d bloggers like this: