This weekend I’m doing the 48 Hour Film Project (Des Moines) where who have to make a short film from beginning to end in 48 hours. It’s an exercise in embracing limitations. And when push comes to shove all filmmaking is embracing limitations because some where you have to draw the line on running time and expenses.
The Twilight Zone was no exception. Now considered one of the best programs ever produced it had trouble finding and audience in the early sixties an actually only ran for a few years. Rod Serling wrote 49 original programs in three years which is an amazing output. According to The Twilight Zone producer Buck Houghton Serling came up with a pattern that became the stand for programs.
According to Houghton in his book What a Producer Does here are a few of the patterns they used.
Find an interesting character, or a group, at a moment of crisis in life, and get there quickly; then lay on some magic.
The character(s) must be ordinary and average and modern, and the problem facing him (her, them) must be commonplace. (The Twilight Zone always stuck people as identifiable as to whom it was about, and the story hangups as resonant of their own fears, dreams, wishes.)
The story must be impossible in the real world. A request at some point to suspend disbelief is a trademark of the series.
So in a little over 48 hours I will make a little film and we’ll see if I get to use any patterns from The Twilight Zone.
[...] This weekend I’m doing the 48 Hour Film Project (Des Moines) where who have to make a short film from beginning to end in 48 hours. It’s an exercise in embracing limitations. And when push comes to shove all filmmaking is embracing limitations because some where you have to draw the line on running time [...] Original Source… [...]